Through the multi-year plot of the documentary film "Good, Bad, Illegal", we follow a five-member team who, at the end of 2016, during their master's studies, founded a group of illegals in Novi Sad. Guided by the slogan that evil has become legal, they initiate various illegal actions, pointing out the aesthetic catastrophe* of a small and young Eastern European city that every system destroys and builds from scratch. Will the illegals persevere in their mission or will the system manage to legalize them too?
