Maurizio Lucidi was an Italian director, screenwriter, and editor, sometimes credited as Mark Lender. He started his career as a film editor in the early 1960s and served as an assistant director for Pier Paolo Pasolini on The Gospel According to St. Matthew in 1964. Lucidi made his directorial debut in 1966 with Hercules the Avenger and later directed several genre films, especially Spaghetti Westerns. His notable works include My Name Is Pecos (1966), Pecos Cleans Up (1967), and It Can Be Done Amigo (1971).
Hercules and the Captive Women
(Editor)
La battaglia del Sinai
(Director)
It Can Be Done Amigo
(Director)
Blood and Roses
(Editor)
La casa dove abitava Corinne
(Director)
Street People
(Director)
Halleluja for Django
(Director)
Pecos Cleans Up
(Director)
My Name Is Pecos
(Director)
Two hearts, a Chapel
(Director)
Possibility Zero
(Director)
Possibility Zero
(Writer)
Il marito in collegio
(Director)
The Gospel According to Matthew
(Assistant Director)
Il lupo di mare
(Director)
Hercules the Avenger
(Director)
My Son, the Hero
(Editor)
Stateline Motel
(Director)
Venetian Honeymoon
(Editor)
Hercules the Avenger
(Editor)
100 Horsemen
(Editor)
A Gynecologist and His Vices
(Director)
Il marito in vacanza
(Director)
Scandale au pensionnat
(Director)
Goliath and the Dragon
(Editor)
Stateline Motel
(Screenplay)
Five Days in Sinai
(Director)
Two hearts, a Chapel
(Screenplay)
Il successo
(Editor)
The Tartars
(Editor)
Soldati e caporali
(Editor)
The World's Most Beautiful Swindlers
(Editor)
The Christmas That Almost Wasn't
(Editor)
Street People
(Story)
Street People
(Screenplay)
Five Days in Sinai
(Writer)
Perché non facciamo l'amore
(Director)
Il Sorpasso
(Editor)
Tutto suo padre
(Director)
Un amore a dondolo
(Director)
Easy Love
(Editor)
The Monsters
(Editor)
The Wonders of Aladdin
(Editor)
Call 22-22 Lieutenant Sheridan
(Editor)
The Designated Victim
(Director)
The Designated Victim
(Story)
Don Quixote
(Editor)