Wallace McCutcheon Sr.

Wallace McCutcheon Sr., referred to affectionately as "Old Man McCutcheon" by members of the Biograph stock company, was, by 1907, indeed one of the senior figures in American film production. Little is known of his background, but he had apparently moved into the early film industry from stage direction. Under the encouragement of his friend Frank Marion, McCutcheon began working as a supervisor and director for American Mutoscope in 1897, continuing with them after their reorganization as American Mutoscope & Biograph in 1899. McCutcheon Sr.'s wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928). Sources indicate he also went by the name of George McCutcheon.

Crew

Dream of a Rarebit Fiend

(Director)

The 'Teddy' Bears

(Director)

How They Rob Men in Chicago

(Director)

The Moonshiner

(Director)

The Life of an American Policeman

(Director)

Police Chasing Scorching Auto

(Director)

The Nihilist

(Director)

The Miller’s Daughter

(Director)

The Watermelon Patch

(Director)

The White Caps

(Director)

Three American Beauties

(Director)

A Winter Straw Ride

(Director)

The Terrible Kids

(Director)

At the French Ball

(Director)

Personal

(Director)

The Sculptor's Nightmare

(Director)

The King of the Cannibal Islands

(Director)

The Widow and the Only Man

(Director)

The Chicken Thief

(Director)

The Boy Detective, or The Abductors Foiled

(Director)

Her First Adventure

(Director)

Cohen’s Fire Sale

(Director)

Getting Evidence

(Director)

Kathleen Mavourneen

(Director)

The Black Hand

(Director)

A Total Accident

(Director)

Tom, Tom, the Piper's Son

(Writer)

In My Lady's Boudoir

(Cinematography)

The Suburbanite

(Writer)

Old Isaacs, the Pawnbroker

(Director)

The King's Messenger

(Director)

Thompson's Night Out

(Director)

The Invisible Fluid

(Director)

The Man in the Box

(Director)

The Kentuckian

(Director)

The Stage Rustler

(Director)

Grandpa's Reading Glass

(Director)

From Leadville to Aspen: A Hold-Up in the Rockies

(Director)

Classmates

(Director)

The Train Wreckers

(Director)

Caught by Wireless

(Director)

The Lost Child

(Director)

Panorama from Times Building, New York

(Director)

Mixed Babies

(Director)

Yellow Peril

(Director)

Dream of a Rarebit Fiend

(Producer)

The Escaped Lunatic

(Director)

Hulda's Lovers

(Director)

Falsely Accused!

(Director)

Panorama from Times Building, New York

(Director of Photography)

When Knights Were Bold

(Director)

Bobby's Kodak

(Director)

Airy Fairy Lillian Tries on Her New Corsets

(Director)

He Loves Me, He Loves Me Not

(Director)

Daniel Boone; or, Pioneer Days in America

(Director)

The Princess in the Vase

(Director)

A Famous Escape

(Director)

'Ostler Joe

(Director)

The Outlaw

(Director)

Love Me, Love My Dog

(Cinematography)

Discovery of Bodies

(Camera Operator)