Torrential

Alberto Grifi

Alberto Grifi (Rome, 1938–2007), a painter, director, cameraman and photographer, is a fundamental figure of Italian experimental and activist cinema. In the first half of the 1960s he worked on the production of documentaries, and in 1964, together with Gianfranco Baruchello, he made La verifica incerta, followed by many other experimental films. With the cult film Anna 1975 he was one of the first to experiment with the use of videotape in an independent film. In 1976 – together with a group of ‘video hoodlums’ – he produced documentaries rarely screened today on youth protests in Milan, Bologna and Rome. Throughout the 1980s he shot industrial documentaries in the United States, Latin America, Africa, Australia and Southeast Asia. Grifi has also produced many radio programmes, published his writings on penitentiaries, contributed to various film magazines and held seminars in many squats, and universities, becoming a reference for future militant filmmakers.

Crew

Uncertain Verification

(Editor)

Anna

(Director)

Uncertain Verification

(Director)

No stop grammatica

(Director)

Ultimo giorno di scuola

(Director of Photography)

Parco Lambro Juvenile Proletariat Festival

(Director)

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

(Director)

Transfert Per Kamera Verso Virulentia

(Director)

Vigilando reprimere

(Screenplay)

Lia

(Editor)

Lia

(Producer)

Lia

(Cinematography)

Dinni e la Normalina, ovvero la Videopolizia Psichiatrica contro i sedicenti Gruppi di Follia Militante

(Editor)

Leoncavallo - I Giorni dello Sgombero

(Director)

Pezzi dell'Amleto

(Director)

Cyril (una cosa urgente)

(Director)

Nonotte

(Director)

Frammenti di una vita d'eroina

(Producer)

Long Live The Orgonauts!

(Cinematography)

Long Live The Orgonauts!

(Writer)

Vigilando reprimere

(Director)

Long Live The Orgonauts!

(Editor)

Long Live The Orgonauts!

(Director)

Addo' sta Rossellini?

(Director)

A partire dal dolce

(Director)

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

(Screenplay)

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

(Cinematography)

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

(Art Direction)

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

(Producer)

In Viaggio con Patrizia

(Director)

In Viaggio con Patrizia

(Producer)

In Viaggio con Patrizia

(Writer)

Non soffiare nel narghilè

(Director)

About Special Effects

(Writer)

About Special Effects

(Editor)

About Special Effects

(Producer)

Anna

(Producer)

Anna

(Cinematography)

Anna

(Production Design)

Michele alla ricerca della felicità

(Editor)

Michele alla ricerca della felicità

(Writer)

Michele alla ricerca della felicità

(Director)

Dinni e la Normalina, ovvero la Videopolizia Psichiatrica contro i sedicenti Gruppi di Follia Militante

(Director)

About Special Effects

(Director)

The Big Chill

(Director)

Lia

(Director)

I manichini

(Editor)

Liberty

(Cinematography)

Liberty

(Editor)

I manichini

(Cinematography)

Il preteso corpo

(Director)

Vigilando reprimere

(Cinematography)

Nudi Verso la Follia

(Cinematography)