During the late 1970s-early 1980s, Beth and Scott B were among the most significant proponents of the No-Wave, no-budget style of underground punk filmmaking. The feature films Beth B has since made on her own are ambitious in content.
Vortex
(Director)
Salvation!
(Director)
Belladonna
(Director)
Thanatopsis
(Director)
Exposed
(Director)
Exposed
(Producer)
Two Small Bodies
(Director)
The Offenders
(Director)
Two Small Bodies
(Writer)
Black Box
(Screenplay)
Black Box
(Producer)
Black Box
(Director of Photography)
Black Box
(Editor)
Black Box
(Sound)
Black Box
(Music)
Hysteria
(Director)
Voyeur
(Director)
Voices Unheard
(Director)
Visiting Desire
(Director)
Visiting Desire
(Producer)
Visiting Desire
(Cinematography)
Lydia Lunch: The War Is Never Over
(Executive Producer)
Lydia Lunch: The War Is Never Over
(Editor)
Lydia Lunch: The War Is Never Over
(Director of Photography)
Call Her Applebroog
(Director)
Call Her Applebroog
(Producer)
Call Her Applebroog
(Cinematography)
G-Man
(Director)
G-Man
(Writer)
G-Man
(Cinematography)
G-Man
(Music)
G-Man
(Editor)
G-Man
(Sound)
Black Box
(Director)
Letters to Dad
(Director)
Glowing Evelyn
(Director)
High Heel Nights
(Director)
Out of Sight, Out of Mind
(Director)
Breathe In, Breathe Out
(Director)
The Dominatrix Sleeps Tonight
(Director)
The Dominatrix Sleeps Tonight
(Producer)
American Nightmare
(Director)
Vortex
(Writer)
The Trap Door
(Director)
The Trap Door
(Writer)
The Trap Door
(Producer)
The Trap Door
(Music)
The Trap Door
(Cinematography)
Stigmata
(Director)
Lydia Lunch: The War Is Never Over
(Director)
Amnesia
(Director)
Under Lock and Key
(Director)
Salvation!
(Screenplay)
Salvation!
(Producer)
Two Small Bodies
(Producer)