Tacita Dean
Tacita Dean is best known for her work in 16mm film, although she utilises a variety of media including drawing, photography and sound. Her films often employ long takes and steady camera angles to create a contemplative atmosphere. She has also published several pieces of her own writing, which she refers to as 'asides,' which complement her visual work. Since the mid-1990s her films have not included commentary, but are instead accompanied by often understated optical sound tracks.
Craneway Event
(Producer)
Edwin Parker
(Editor)
Disappearance at Sea
(Producer)
Craneway Event
(Editor)
Disappearance at Sea
(Editor)
Disappearance at Sea
(Director of Photography)
Disappearance at Sea
(Executive Producer)
Promises: Through Congress
(Thanks)
Kodak
(Director)
Craneway Event
(Director)
The Uncles
(Editor)
Film
(Director)
Fata Morgana
(Director)
Banewl
(Director)
The Green Ray
(Director)
Fernsehturm
(Director)
Event for a Stage
(Director)
Paradise
(Director)
Sound Mirrors
(Director)
JG
(Director)
Noir et Blanc
(Director)
Girl Stowaway
(Director)
How to Put a Boat in a Bottle
(Director)
The Story of Beard
(Director)
A Bag of Air
(Director)
Disappearance at Sea
(Director)
The Martyrdom of St. Agatha (in several parts)
(Director)
The Uncles
(Director)
Edwin Parker
(Director)
One Hundred and Fifty Years of Painting
(Editor)
One Hundred and Fifty Years of Painting
(Director)
Bubble House
(Director)
Prisoner Pair
(Director)
Antigone
(Director)
Ear on a Worm
(Director)
His Picture In Little
(Director)
Michael Hamburger
(Director)
Providence
(Director)
Portraits
(Director)
Mario Merz
(Director)
Manhattan Mouse Museum
(Director)
Geography Biography
(Director)
Palast
(Director)
Teignmouth Electron
(Director)