Tacita Dean
Tacita Dean is best known for her work in 16mm film, although she utilises a variety of media including drawing, photography and sound. Her films often employ long takes and steady camera angles to create a contemplative atmosphere. She has also published several pieces of her own writing, which she refers to as 'asides,' which complement her visual work. Since the mid-1990s her films have not included commentary, but are instead accompanied by often understated optical sound tracks.
Disappearance at Sea
(Producer)
Craneway Event
(Producer)
Craneway Event
(Editor)
Disappearance at Sea
(Editor)
Edwin Parker
(Editor)
Disappearance at Sea
(Executive Producer)
Disappearance at Sea
(Director of Photography)
Promises: Through Congress
(Thanks)
Kodak
(Director)
Craneway Event
(Director)
The Uncles
(Editor)
Film
(Director)
Fata Morgana
(Director)
Banewl
(Director)
The Green Ray
(Director)
Fernsehturm
(Director)
Event for a Stage
(Director)
Paradise
(Director)
Sound Mirrors
(Director)
JG
(Director)
Noir et Blanc
(Director)
A Bag of Air
(Director)
Disappearance at Sea
(Director)
Girl Stowaway
(Director)
How to Put a Boat in a Bottle
(Director)
The Martyrdom of St. Agatha (in several parts)
(Director)
The Story of Beard
(Director)
The Uncles
(Director)
Edwin Parker
(Director)
One Hundred and Fifty Years of Painting
(Director)
One Hundred and Fifty Years of Painting
(Editor)
Bubble House
(Director)
Antigone
(Director)
His Picture In Little
(Director)
Prisoner Pair
(Director)
Ear on a Worm
(Director)
Michael Hamburger
(Director)
Providence
(Director)
Mario Merz
(Director)
Manhattan Mouse Museum
(Director)
Portraits
(Director)
Geography Biography
(Director)
Palast
(Director)