Peter Hutton (born 1944 in Detroit, Michigan) was an experimental filmmaker, known primarily for his silent cinematic portraits of cities and landscapes around the world. He also worked as a professional cinematographer, most notably for his former student Ken Burns. Hutton studied painting, sculpture and film at the San Francisco Art Institute. He taught filmmaking at CalArts, Hampshire College, Harvard University, SUNY Purchase, and Bard College, where he served as the director of the Film and Electronic Arts Program from 1989 to 2016. Hutton's films are distributed by Canyon Cinema in San Francisco. In May 2008 the Museum of Modern Art in New York held a full retrospective of Hutton's films.
New York Portrait
(Director)
At Sea
(Director)
At Sea
(Cinematography)
Study of a River
(Director)
Boston Fire
(Director)
Three Landscapes
(Director)
New York Portrait, Chapter I
(Director)
Landscape (for Manon)
(Director)
New York Near Sleep for Saskia
(Director)
Images of Asian Music (A Diary from Life 1973-74)
(Director)
Florence
(Director)
In Titan's Goblet
(Director)
Lodz Symphony
(Director)
Budapest Portrait (Memories of a City)
(Director)
Skagafjördur
(Director)
Time and Tide
(Director)
New York Portrait, Chapter II
(Director)
The Statue of Liberty
(Cinematography)
New York Portrait, Chapter III
(Director)
July '71 in San Francisco, Living at Beach Street, Working at Canyon Cinema, Swimming in the Valley of the Moon
(Director)
Florence
(Cinematography)
Two Rivers
(Director)
Looking at the Sea
(Director)
In Marin County
(Director)
The Making of a Superhero Musical
(Thanks)
Sketches for Late City Final
(Director)
Sweetgrass
(Thanks)
In Titan's Goblet
(Cinematography)
No Picnic
(Director of Photography)
Born in Flames
(Additional Camera)
Time and Tide
(Director of Photography)
Time and Tide
(Editor)
The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott
(Cinematography)