Jud Yalkut
Jud Yalkut was a pioneering intermedia artist and filmmaker. His remarkable body of moving image work, which spanned fifty years, ranged from early performance renderings and poetic filmic experiments to a series of groundbreaking hybrid video-film collaborations with Nam June Paik. Transcending and transforming media as he explored and merged film, video, expanded cinema, electronic manipulations, performance and installation, Yalkut created and collaborated on seminal intermedia projects with numerous artists, filmmakers, musicians and performers in the avant-garde and experimental scenes.
Planes
(Director)
GHOST REV
(Director)
Some Manipulations
(Director)
Opera Sextronique
(Director)
Suite 212
(Co-Director)
Kusama's Self-Obliteration
(Director)
Turn Turn Turn
(Director)
Beatles Electroniques
(Director)
Videotape Study No. 3
(Director)
Electronic Fables
(Director)
Electronic Moon No. 2
(Director)
Waiting for Commercials
(Director)
Electronic Yoga
(Director)
A Tribute to John Cage
(Camera Operator)
Seminar
(Director)
The Whirling Ecstasy
(Director)
D.M.T.
(Director)
Kusama's Self-Obliteration
(Cinematography)
Kusama's Self-Obliteration
(Editor)
Us Down by the Riverside
(Director)
Astrolabe of God
(Director)
John Cage Mushroom Hunting in Stony Point
(Director)
P+A-I(k)
(Director)
Missa of Zen
(Director)
Cinema Metaphysique No. 1-5
(Director)
The Godz
(Director)
7th Annual New York Avant Garde Festival
(Director)
4th Annual New York Avant Garde Festival
(Director)
Diffraction Film
(Director)
Aquarian Rushes
(Cinematography)
Aquarian Rushes
(Director)
Aquarian Rushes
(Editor)
China Cat Sunflower
(Director)
Slop Print
(Director)
Light Display: Color
(Director)
Self Portrait 2
(Director)
Exprmntl 1967
(Director)
26'1.1499" For A String Player
(Director)
Television as a Creative Medium
(Director)
Video Commune (Beatles From Beginning to End)
(Director)
TV Cello Premiere
(Director)
Early Color TV Manipulations
(Director)
Clarence
(Director)