François Arnold Reichenbach (3 July 1921 – 2 February 1993) was a French film director, cinematographer producer and screenwriter. He directed 40 films between 1954 aEarly life François Reichenbach was born in 1921 in Neuilly-sur-Seine. His father Bernard Reichenbach was a successful businessman and his mother Germaine Angèle Sarah Monteux had a passion for music, which she passed on to young François. His maternal grandfather Gaston Monteux was a wealthy industrialist: he was one of the first to buy paintings by Chagall, Braque, Picasso, Soutine, Utrillo and Modigliani. In his memoirs François Reichenbach says: "At the age of five I was terrified by all the faces in the paintings. And I became a forger. I added mustaches and hairs to the nudes of Modigliani. This hoax takes on another dimension when you know that I made a film with Orson Welles about the forger Elmyr de Hory in 1973. He is the nephew of the industrialist and manuscript and book collector Jacques Guérin and the cousin of the film producer Pierre Braunberger, who encouraged him to make films. During the Second World War, François Reichenbach went to Geneva. Although he was born in France, he also has Swiss nationality because his paternal grandfather, Arnold Reichenbach, is a rich Swiss industrialist working in the embroidery industry in St. Gallen. He studied music at the Geneva Conservatory of Music, where he met the film director Gérard Oury. After the Liberation, he wrote songs, notably for Édith Piaf and Marie Dubas. Then, remembering the huge collection of paintings of his childhood, he left for the United States with an emigrant card to sell paintings. He started in New York as an advisor to American museums for the purchase of works of art in Europe, then he sold master paintings. He spent several years in the United States. On his deathbed, François Reichenbach confided to Danièle Thompson his wish to be buried in Limoges where he had spent his vacations in his youth. Faced with the protests of the screenwriter, arguing that it would be inconvenient to visit him, the filmmaker replied "Those who love me will take the train". This quote inspired Danièle Thompson to write the title of the film Ceux qui m'aiment prendront le train (Those who love me will take the train) by Patrice Chéreau, starring Jean-Louis Trintignant, Charles Berling and Vincent Perez. François Reichenbach died on February 2, 1993, in Neuilly-sur-Seine, a posh neighbourhood near the capital. He is buried in the Louyat cemetery in Limoges. This pioneer of the New Wave through the importance of his cinematographic work makes this man, with a free and respectful look at others, a privileged witness of his time. He always has a camera loaded on the back seat of his car to film immediately just in case, because he likes to "film everything that moves ". The famous magazine Cahiers du cinéma wrote: "François Reichenbach was born with a camera in his eye". ... Source: Article "François Reichenbach" from Wikipedia in English, licensed under CC-BY-SA.
L’Indiscret
(François Reichenbach)
Life Love Death
(Self)
J'ai tout donné
(Self)
Un metteur en ordre: Robert Bresson
(Self)
Michel Legrand, sans demi-mesure
(Self (archive footage))
Houston, Texas
(Self)
Spécial cinéma
(Self)
Le Grand Échiquier
(Self)
Samedi soir
(Self)
Cinépanorama
(Self)
Apostrophes
(Self)
Sacrée Soirée
(Self)
Michel Legrand
(Director)
Decameron '69
(Director)
Lomelin
(Director)
Dunoyer de Ségonzac
(Director)
Arthur Rubinstein: The Love of Life
(Director)
Do You Hear the Dogs Barking?
(Director)
America as Seen by a Frenchman
(Director)
13 Days in France
(Director)
The Winner
(Director)
The Sixth Side of the Pentagon
(Director)
The Marines
(Director)
The Right of the Maddest
(Writer)
Houston, Texas
(Director)
Yehudi Menuhin, chemin de lumière
(Writer)
Yehudi Menuhin, chemin de lumière
(Director)
Village Sweetness
(Director)
Portrait: Orson Welles
(Director)
Medicine Ball Caravan
(Director)
Le Paris des mannequins
(Director)
Forty Deuce
(Director of Photography)
J'ai tout donné
(Director)
Sex O’Clock USA
(Director)
Spécial Bardot
(Director)
Le grand sud
(Director)
The Little Café
(Director)
Village Sweetness
(Writer)
L’Indiscret
(Director)
L'américain se détend
(Writer)
L'américain se détend
(Director)
Au pays de Porgy and Bess
(Director)
L'été Indien
(Director)
In Memory of Rock
(Writer)
The Little Café
(Writer)
The Little Café
(Director of Photography)
Impressions de New York
(Writer)
Impressions de New York
(Director)
Mientras haya niños habra payasos
(Director)
The Lovers of the France
(Director)
México, México: Mexique en mouvement
(Director)
B.B. in USA
(Director)
Le Japon insolite
(Director)
Bizet Carmen
(Director of Photography)
The Lovers of the France
(Director of Photography)
Repeated Absences
(Producer)
In Memory of Rock
(Director)
F for Fake
(Executive Producer)
F for Fake
(Director of Photography)
L'Amérique lunaire
(Director)
Carnaval Nouvelle-Orléans
(Director)
Last Spring
(Director)
Nus Masculins
(Director)
America as Seen by a Frenchman
(Writer)
Houston, Texas
(Director)
F for Fake
(Co-Director)
Illuminations
(Director)
Portrait: Orson Welles
(Writer)
Portrait: Orson Welles
(Director of Photography)
The Right of the Maddest
(Director)
Do You Hear the Dogs Barking?
(Writer)
México, México: Mexique en mouvement
(Director of Photography)
The Right of the Maddest
(Adaptation)
Violence et Beaute
(Director)
Barbara - Une longue dame brune
(Director)
America as Seen by a Frenchman
(Director of Photography)
Visages de Paris
(Director)
The Sixth Side of the Pentagon
(Director of Photography)
Village Sweetness
(Director of Photography)
Impressions de New York
(Director of Photography)