Antonín Máša
Antonín Máša was a Czech screenwriter, director, and playwright, known for his contributions to Czechoslovak New Wave cinema. After studying journalism in Prague, he transitioned into filmmaking, collaborating with notable directors such as Evald Schorm. Máša's work often delved into the complexities of human relationships and societal norms. Notable films include Courage for Every Day (1964), The Return of the Prodigal Son (1967), and The End of a Priest (1969). His films are recognized for their introspective narratives and critical examination of contemporary society, contributing significantly to the cultural landscape of Czech cinema.
Searching
(Screenplay)
Searching
(Story)
Courage for Every Day
(Story)
Courage for Every Day
(Screenplay)
A Place in the Crowd
(Story)
Every Young Man
(Dramaturgy)
Hotel for Strangers
(Story)
People From Caravans
(Screenplay)
The Valley of the Bees
(Dramaturgy)
Adelheid
(Dramaturgy)
The Seventh Day, the Eighth Night
(Dramaturgy)
Skřivánčí ticho
(Director)
Hotel for Strangers
(Director)
Rodeo
(Director)
Rodeo
(Screenplay)
Proč nevěřit na zázraky
(Director)
Proč nevěřit na zázraky
(Story)
Proč nevěřit na zázraky
(Screenplay)
A Place in the Crowd
(Screenplay)
Vánoční stromek
(Screenplay)
Looking Back
(Story)
Looking Back
(Director)
Searching
(Director)
Looking Back
(Screenplay)
Hotel for Strangers
(Screenplay)
Holiday for a Dog
(Screenplay)
Holiday for a Dog
(Story)
What's Up Doc?
(Story)
What's Up Doc?
(Screenplay)
The Dynamite Watcher
(Screenplay)
Zurvalec
(Screenplay)
Byli jsme to my?
(Director)
Spoveď
(Screenplay)
Návštěvní hodiny
(Writer)
Skřivánčí ticho
(Story)
Skřivánčí ticho
(Screenplay)
Byli jsme to my?
(Screenplay)
Black Barons
(Dramaturgy)
Zápas o člověka Nelibu
(Theatre Play)
Zápas o člověka Nelibu
(Screenplay)
Zápas o člověka Nelibu
(Director)