Rudolph Maté

​From Wikipedia, the free encyclopedia Rudolph Maté, A.S.C. (21 January 1898 – 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director. Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films. Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944). In 1947, he turned to directing films, his credits include When Worlds Collide (1951), the film noir classic D.O.A. and No Sad Songs for Me (both 1950). Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese. He died from a heart attack in Hollywood on October 27, 1964 at the age of 66. Description above from the Wikipedia article Rudolph Maté, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Crew

To Be or Not to Be

(Director of Photography)

Vampyr

(Director of Photography)

The Passion of Joan of Arc

(Director of Photography)

Gilda

(Director of Photography)

Cover Girl

(Director of Photography)

Second Chance

(Director)

The Black Shield of Falworth

(Director)

Foreign Correspondent

(Director of Photography)

Charlie Chan's Secret

(Director of Photography)

Forbidden

(Director)

The Violent Men

(Director)

The Green Glove

(Director)

Union Station

(Director)

The Dark Past

(Director)

That Hamilton Woman

(Director of Photography)

Liliom

(Director of Photography)

When Worlds Collide

(Director)

D.O.A.

(Director)

The Pride of the Yankees

(Director of Photography)

The Prince Who Was a Thief

(Director)

The 300 Spartans

(Director)

It Had to Be You

(Director)

Three Violent People

(Director)

The Far Horizons

(Director)

Miracle in the Rain

(Director)

Over 21

(Director of Photography)

The Deep Six

(Director)

For the First Time

(Director)

The Rawhide Years

(Director)

Seven Sinners

(Director of Photography)

Sally and Saint Anne

(Director)

Branded

(Director)

The Mississippi Gambler

(Director)

The Barbarians

(Director)

Seven Seas to Calais

(Director)

No Sad Songs for Me

(Director)

The Return of October

(Producer)

Our Relations

(Director of Photography)

The Siege at Red River

(Director)

Paula

(Director)

Port Afrique

(Director)

Mister Albert

(Director of Photography)

Come and Get It

(Director of Photography)

The Last Billionaire

(Director of Photography)

Metropolitan

(Director of Photography)

Professional Soldier

(Director of Photography)

Dodsworth

(Director of Photography)

A Message to Garcia

(Director of Photography)

Stella Dallas

(Director of Photography)

The Adventures of Marco Polo

(Director of Photography)

Trade Winds

(Director of Photography)

The Real Glory

(Director of Photography)

They Got Me Covered

(Director of Photography)

Address Unknown

(Director of Photography)

Song of the Streets

(Director of Photography)

Love Affair

(Director of Photography)

Aren't We All?

(Cinematography)

Miss Europe

(Cinematography)

Sahara

(Director of Photography)

Tonight and Every Night

(Director of Photography)

Blockade

(Director of Photography)

Aren't We All?

(Director of Photography)

Outcast

(Director of Photography)

The Flying Deuces

(Production Assistant)

Michael

(Director of Photography)

Lily Christine

(Director of Photography)

My Favorite Wife

(Director of Photography)

Aliki My Love

(Director)

Dressed to Thrill

(Director of Photography)

It Had to Be You

(Director of Photography)

The Jew of Mestri

(Director of Photography)

The Beautiful Sailor

(Cinematography)

It Started with Eve

(Cinematography)

The Flame of New Orleans

(Cinematography)

Down to Earth

(Director of Photography)

Navy Wife

(Director of Photography)

Letter to Loretta

(Director)