Eugênio Puppo
The Good Cinema
(Director)
Carlos Reichenbach: Relatório Confidencial
(Producer)
Carlos Reichenbach: Relatório Confidencial
(Editor)
A Última Praga de Mojica
(Producer)
A Última Praga de Mojica
(Executive Producer)
A Última Praga de Mojica
(Writer)
Republic of Judges
(Director)
Olhos Livres
(Consulting Editor)
A Última Praga de Mojica
(Director)
The Good Cinema
(Editor)
Republic of Judges
(Editor)
Republic of Judges
(Producer)
Nós do Audiovisual
(Production Director)
Maremoto
(Production Director)
Eu, Minha Mãe e Wallace
(Producer)
Eu, Minha Mãe e Wallace
(Executive Producer)
Marginal Orange
(Editor)
Marginal Orange
(Cinematography)
Marginal Orange
(Director)
Júlia Porrada
(Production Executive)
Os Dois Lados do Lixo
(Executive Producer)
MOEDA GOSTOSO
(Executive Producer)
Compêndio da Vida de um Homem Gasto e o Seu Último Desejo Perante Ela
(Director)
Ozualdo Candeias and the Cinema
(Director)
Carlos Reichenbach: Relatório Confidencial
(Director)
Carlos Reichenbach: Relatório Confidencial
(Writer)
Sem Pena
(Director)
Ozualdo Candeias and the Cinema
(Producer)
Confissões de um Cinema em Formação
(Director)
Not by Chance
(Writer)
Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
(Director)
Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
(Editor)
The Curse
(Editor)
The Curse
(Executive Producer)
A Treat of Coutinho
(Producer)
A Treat of Coutinho
(Editor)
Topo
(Director)
Topo
(Executive Producer)
Topo
(Writer)
Topo
(Editor)
Topo
(Researcher)
O Homem Sensorial
(Director)
O Homem Sensorial
(Writer)
O Homem Sensorial
(Producer)
O Homem Sensorial
(Editor)
São Miguel do Gostoso
(Director)
São Miguel do Gostoso
(Writer)
São Miguel do Gostoso
(Editor)
São Miguel do Gostoso
(Producer)
Sociologia da Crise
(Editor)
Sociologia da Crise
(Producer)
Sem Pena
(Producer)
Sem Pena
(Editor)
Sem Pena
(Executive Producer)
História da Alimentação no Brasil
(Creator)