Eugênio Puppo
The Good Cinema
(Director)
Carlos Reichenbach: Relatório Confidencial
(Producer)
Carlos Reichenbach: Relatório Confidencial
(Editor)
A Última Praga de Mojica
(Producer)
A Última Praga de Mojica
(Executive Producer)
A Última Praga de Mojica
(Writer)
Republic of Judges
(Director)
Olhos Livres
(Consulting Editor)
A Última Praga de Mojica
(Director)
The Good Cinema
(Editor)
Republic of Judges
(Editor)
Republic of Judges
(Producer)
Nós do Audiovisual
(Production Director)
Maremoto
(Production Director)
Eu, Minha Mãe e Wallace
(Producer)
Eu, Minha Mãe e Wallace
(Executive Producer)
Marginal Orange
(Editor)
Marginal Orange
(Cinematography)
Marginal Orange
(Director)
Júlia Porrada
(Production Executive)
Os Dois Lados do Lixo
(Executive Producer)
MOEDA GOSTOSO
(Executive Producer)
Compêndio
(Director)
Ozualdo Candeias and the Cinema
(Director)
Carlos Reichenbach: Relatório Confidencial
(Director)
Carlos Reichenbach: Relatório Confidencial
(Writer)
Sem Pena
(Director)
Ozualdo Candeias and the Cinema
(Producer)
Confissões de um Cinema em Formação
(Director)
Not by Chance
(Writer)
Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
(Director)
Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
(Editor)
The Curse
(Editor)
The Curse
(Executive Producer)
A Treat of Coutinho
(Producer)
A Treat of Coutinho
(Editor)
Topo
(Director)
Topo
(Executive Producer)
Topo
(Writer)
Topo
(Editor)
Topo
(Researcher)
O Homem Sensorial
(Director)
O Homem Sensorial
(Writer)
O Homem Sensorial
(Editor)
São Miguel do Gostoso
(Director)
São Miguel do Gostoso
(Writer)
São Miguel do Gostoso
(Editor)
São Miguel do Gostoso
(Producer)
Sociologia da Crise
(Editor)
Sociologia da Crise
(Producer)
Sem Pena
(Producer)
Sem Pena
(Editor)
Sem Pena
(Executive Producer)
Sem Pena
(Researcher)
A Treat of Coutinho
(Executive Producer)
São Miguel do Gostoso
(Camera Operator)
São Miguel do Gostoso
(Researcher)
Ozualdo Candeias and the Cinema
(Researcher)
Confissões de um Cinema em Formação
(Writer)
Confissões de um Cinema em Formação
(Additional Editing)
Confissões de um Cinema em Formação
(Executive Producer)
Confissões de um Cinema em Formação
(Researcher)
Republic of Judges
(Executive Producer)
Republic of Judges
(Researcher)
The Good Cinema
(Researcher)
A Última Praga de Mojica
(Still Photographer)
Joderismo
(Executive Producer)
Joderismo
(Producer)
O Homem Sensorial
(Executive Producer)
Eu, Minha Mãe e Wallace
(Script Consultant)
Compêndio
(Writer)
Compêndio
(Producer)
Compêndio
(Camera Operator)
Transanarchy (2011)
(Editor)
Transanarchy (2011)
(Producer)
BODANZKY CONTA AGRIPPINO
(Director)
BODANZKY CONTA AGRIPPINO
(Producer)
Deformação
(Director)
O CONTADOR DE CAUSOS
(Executive Producer)
Barraqueiros
(Producer)
Derradeiro
(Producer)
Derradeiro
(Executive Producer)
Filho de Peixe
(Executive Producer)
O Grande Amor de um Lobo
(Executive Producer)
The Curse
(Producer)
FLÔZINHA
(Executive Producer)
O Menino e a Caixa Misteriosa
(Executive Producer)
O Menino e a Caixa Misteriosa
(Producer)
O Pai da Noite
(Executive Producer)
Promessas
(Executive Producer)
Maremoto
(Producer)
Carta Branca
(Executive Producer)
Carta Branca
(Producer)
ENTRE LONAS
(Executive Producer)
Ando Me Perguntando
(Producer)
Júlia Porrada
(Producer)
Medo é uma Moita
(Producer)
Medo é uma Moita
(Executive Producer)
Autômato do Tempo
(Executive Producer)
Autômato do Tempo
(Producer)
O Grande Ó
(Executive Producer)
Pináculo da Miséria
(Producer)
The Good Cinema
(Executive Producer)
História da Alimentação no Brasil
(Director)
História da Alimentação no Brasil
(Editor)
História da Alimentação no Brasil
(Executive Producer)
História da Alimentação no Brasil
(Researcher)
Ocupações
(Director)
Ocupações
(Editor)
Ocupações
(Executive Producer)
Ocupações
(Researcher)
História da Alimentação no Brasil
(Creator)