The Good Cinema
(Director)
Carlos Reichenbach: Relatório Confidencial
(Producer)
Carlos Reichenbach: Relatório Confidencial
(Editor)
A Última Praga de Mojica
(Producer)
A Última Praga de Mojica
(Executive Producer)
A Última Praga de Mojica
(Writer)
Republic of Judges
(Director)
Olhos Livres
(Consulting Editor)
A Última Praga de Mojica
(Director)
The Good Cinema
(Editor)
Republic of Judges
(Producer)
Republic of Judges
(Editor)
Nós do Audiovisual
(Production Director)
Maremoto
(Production Director)
Eu, Minha Mãe e Wallace
(Executive Producer)
Eu, Minha Mãe e Wallace
(Producer)
Marginal Orange
(Director)
Marginal Orange
(Editor)
Marginal Orange
(Cinematography)
Júlia Porrada
(Production Executive)
Os Dois Lados do Lixo
(Executive Producer)
MOEDA GOSTOSO
(Executive Producer)
Compêndio da Vida de um Homem Gasto e o Seu Último Desejo Perante Ela
(Director)
Carlos Reichenbach: Relatório Confidencial
(Director)
Sem Pena
(Director)
Carlos Reichenbach: Relatório Confidencial
(Writer)
Ozualdo Candeias and the Cinema
(Director)
Ozualdo Candeias and the Cinema
(Producer)
Confissões de um Cinema em Formação
(Director)
Not by Chance
(Writer)
Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
(Director)
Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
(Editor)
The Curse
(Editor)
The Curse
(Executive Producer)
A Treat of Coutinho
(Producer)
A Treat of Coutinho
(Editor)
Topo
(Director)
Topo
(Executive Producer)
Topo
(Writer)
Topo
(Editor)
Topo
(Researcher)
O Homem Sensorial
(Director)
O Homem Sensorial
(Writer)
O Homem Sensorial
(Producer)
O Homem Sensorial
(Editor)
História da Alimentação no Brasil
(Creator)