Chus Domínguez
Chus Domínguez works in the orbit of documentary and experimental film-video, from where he has expanded his work to the territories of the archive, the living arts and the processes of collective creation. He teaches documentary film at ECAM (Madrid Film School) and Audiovisual Arts at the Degree in Fine Arts at Salamanca University.
Pixelación Laboral
(Director)
Felipe vuelve a casa con las ovejas sonando
(Writer)
Notas de lo efímero
(Idea)
O prezo da dote
(Editor)
Felipe vuelve a casa con las ovejas sonando
(Cinematography)
O prezo da dote
(Cinematography)
O prezo da dote
(Writer)
Felipe vuelve a casa con las ovejas sonando
(Editor)
O tempo dos bullós
(Writer)
The impossible cities
(Producer)
O tempo dos bullós
(Cinematography)
The impossible cities
(Idea)
La sortie
(Director)
No ámbito do Cauca
(Writer)
No ámbito do Cauca
(Director)
Impregnaciones en la señorita nieve y guitarra
(Director)
La sortie
(Writer)
Museo
(Director)
Ángel caído
(Director)
La sortie
(Cinematography)
La sortie
(Sound Editor)
Silent Karoke
(Cinematography)
Puerta Beta
(Director)
La danza de la codorniz. Primer movimiento
(Writer)
Kubrick
(Idea)
No ámbito do Cauca
(Editor)
Kubrick
(Director)
Fotografías
(Director)
No ámbito do Cauca
(Cinematography)
Museo
(Editor)
Museo
(Writer)
Silent Karoke
(Writer)
Silent Karoke
(Editor)
La sortie
(Editor)
Silent Karoke
(Director)
Kubrick
(Editor)
Fucking Mine
(Editor)
Carea careando. De pastores, perros y rebaños
(Cinematography)
Dada Jazz. Piensan las manos piensan los pies
(Idea)
Carea careando. De pastores, perros y rebaños
(Editor)
La danza de la codorniz. Primer movimiento
(Director)
Museo
(Cinematography)
K. Un retrato
(Director)
Retrato nº 2. Cuaderno de ensayos
(Director)
Fucking Mine
(Director)
Improvisaciones Celrá
(Director)
Carea careando. De pastores, perros y rebaños
(Director)
Chamamento
(Cinematography)
Chamamento
(Editor)
Villa 31. Buenos Aires.
(Cinematography)
bodega 96
(Director)
Dada Jazz. Piensan las manos piensan los pies
(Director)
Cepilllo de dientes, esquina de gong
(Cinematography)
Chamamento
(Director)
Dada Jazz. Piensan las manos piensan los pies
(Cinematography)
Villa 31. Buenos Aires.
(Editor)
Dada Jazz. Piensan las manos piensan los pies
(Editor)
Carea careando. De pastores, perros y rebaños
(Sound Editor)
Lekuz leku
(Director)
Villa 31. Buenos Aires.
(Idea)
Un minuto de silencio por la cultura libre
(Director)
Cepilllo de dientes, esquina de gong
(Director)
Cepilllo de dientes, esquina de gong
(Editor)
Villa 31. Buenos Aires.
(Director)
We'll Have Already Forgotten
(Director)
We'll Have Already Forgotten
(Producer)
We'll Have Already Forgotten
(Writer)
We'll Have Already Forgotten
(Sound)
We'll Have Already Forgotten
(Cinematography)
We'll Have Already Forgotten
(Music)
We'll Have Already Forgotten
(Editor)
The Perfect Human
(Writer)
Libertad
(Writer)
Libertad
(Sound Editor)
Libertad
(Sound Recordist)
Libertad
(Editor)
Libertad
(Cinematography)
Felipe vuelve a casa con las ovejas sonando
(Director)
Notas de lo efímero
(Director)
O tempo dos bullós
(Director)
O prezo da dote
(Director)
The impossible cities
(Director)
Catálogo de escenarios para la muerte de Pier Paolo Pasolini
(Director)
Hostal España
(Director)
Libertad
(Director)
The Perfect Human
(Director)
Fucking Mine
(Dialogue Editor)
Fucking Mine
(Sound Editor)
Fucking Mine
(Production Coordinator)
Fucking Mine
(Writer)
Glass Bottom Ferry. On Borders and Submerged Utopias
(Director)