Chus Domínguez
Chus Domínguez works in the orbit of documentary and experimental film-video, from where he has expanded his work to the territories of the archive, the living arts and the processes of collective creation. He teaches documentary film at ECAM (Madrid Film School) and Audiovisual Arts at the Degree in Fine Arts at Salamanca University.
Pixelación Laboral
(Director)
Felipe vuelve a casa con las ovejas sonando
(Writer)
Felipe vuelve a casa con las ovejas sonando
(Cinematography)
Felipe vuelve a casa con las ovejas sonando
(Editor)
O prezo da dote
(Writer)
O prezo da dote
(Cinematography)
O prezo da dote
(Editor)
O tempo dos bullós
(Writer)
O tempo dos bullós
(Cinematography)
Notas de lo efímero
(Idea)
The impossible cities
(Idea)
The impossible cities
(Producer)
No ámbito do Cauca
(Director)
No ámbito do Cauca
(Cinematography)
No ámbito do Cauca
(Writer)
No ámbito do Cauca
(Editor)
Impregnaciones en la señorita nieve y guitarra
(Director)
La sortie
(Director)
La sortie
(Writer)
La sortie
(Cinematography)
La sortie
(Editor)
La sortie
(Sound Editor)
Puerta Beta
(Director)
Museo
(Director)
Museo
(Cinematography)
Museo
(Writer)
Museo
(Editor)
La danza de la codorniz. Primer movimiento
(Director)
La danza de la codorniz. Primer movimiento
(Writer)
Silent Karoke
(Director)
Silent Karoke
(Writer)
Silent Karoke
(Cinematography)
Silent Karoke
(Editor)
Ángel caído
(Director)
Kubrick
(Director)
Kubrick
(Editor)
Kubrick
(Idea)
Fotografías
(Director)
K. Un retrato
(Director)
Fucking Mine
(Director)
Fucking Mine
(Editor)
bodega 96
(Director)
Dada Jazz. Piensan las manos piensan los pies
(Director)
Dada Jazz. Piensan las manos piensan los pies
(Cinematography)
Dada Jazz. Piensan las manos piensan los pies
(Idea)
Dada Jazz. Piensan las manos piensan los pies
(Editor)
Carea careando. De pastores, perros y rebaños
(Director)
Carea careando. De pastores, perros y rebaños
(Cinematography)
Carea careando. De pastores, perros y rebaños
(Editor)
Carea careando. De pastores, perros y rebaños
(Sound Editor)
Cepilllo de dientes, esquina de gong
(Director)
Cepilllo de dientes, esquina de gong
(Cinematography)
Cepilllo de dientes, esquina de gong
(Editor)
Chamamento
(Director)
Chamamento
(Cinematography)
Chamamento
(Editor)
Improvisaciones Celrá
(Director)
Lekuz leku
(Director)
Retrato nº 2. Cuaderno de ensayos
(Director)
Villa 31. Buenos Aires.
(Director)
Villa 31. Buenos Aires.
(Idea)
Villa 31. Buenos Aires.
(Cinematography)
Villa 31. Buenos Aires.
(Editor)
Un minuto de silencio por la cultura libre
(Director)
We'll Have Already Forgotten
(Director)
We'll Have Already Forgotten
(Writer)
We'll Have Already Forgotten
(Producer)
We'll Have Already Forgotten
(Cinematography)
We'll Have Already Forgotten
(Sound)
We'll Have Already Forgotten
(Editor)
We'll Have Already Forgotten
(Music)
The Perfect Human
(Writer)
Libertad
(Writer)
Libertad
(Sound Recordist)
Libertad
(Sound Editor)
Libertad
(Editor)
Libertad
(Cinematography)
Felipe vuelve a casa con las ovejas sonando
(Director)
Notas de lo efímero
(Director)
O prezo da dote
(Director)
O tempo dos bullós
(Director)
The impossible cities
(Director)
Catálogo de escenarios para la muerte de Pier Paolo Pasolini
(Director)
Hostal España
(Director)
Libertad
(Director)
The Perfect Human
(Director)
Fucking Mine
(Dialogue Editor)
Fucking Mine
(Sound Editor)
Fucking Mine
(Production Coordinator)
Fucking Mine
(Writer)
Glass Bottom Ferry. On Borders and Submerged Utopias
(Director)