Chus Domínguez

Chus Domínguez works in the orbit of documentary and experimental film-video, from where he has expanded his work to the territories of the archive, the living arts and the processes of collective creation. He teaches documentary film at ECAM (Madrid Film School) and Audiovisual Arts at the Degree in Fine Arts at Salamanca University.

Crew

Pixelación Laboral

(Director)

Felipe vuelve a casa con las ovejas sonando

(Editor)

O prezo da dote

(Editor)

O tempo dos bullós

(Writer)

Felipe vuelve a casa con las ovejas sonando

(Writer)

O tempo dos bullós

(Cinematography)

Felipe vuelve a casa con las ovejas sonando

(Cinematography)

O prezo da dote

(Cinematography)

O prezo da dote

(Writer)

Notas de lo efímero

(Idea)

The impossible cities

(Producer)

The impossible cities

(Idea)

La sortie

(Cinematography)

La sortie

(Sound Editor)

La sortie

(Director)

La sortie

(Writer)

No ámbito do Cauca

(Director)

No ámbito do Cauca

(Editor)

No ámbito do Cauca

(Cinematography)

No ámbito do Cauca

(Writer)

Puerta Beta

(Director)

Museo

(Editor)

La danza de la codorniz. Primer movimiento

(Writer)

Ángel caído

(Director)

Museo

(Cinematography)

Silent Karoke

(Director)

La sortie

(Editor)

Impregnaciones en la señorita nieve y guitarra

(Director)

Museo

(Director)

Kubrick

(Director)

Fucking Mine

(Director)

K. Un retrato

(Director)

Dada Jazz. Piensan las manos piensan los pies

(Editor)

Museo

(Writer)

Silent Karoke

(Writer)

Silent Karoke

(Cinematography)

Kubrick

(Idea)

bodega 96

(Director)

Dada Jazz. Piensan las manos piensan los pies

(Director)

Carea careando. De pastores, perros y rebaños

(Director)

Carea careando. De pastores, perros y rebaños

(Editor)

Dada Jazz. Piensan las manos piensan los pies

(Cinematography)

Silent Karoke

(Editor)

Fucking Mine

(Editor)

Kubrick

(Editor)

La danza de la codorniz. Primer movimiento

(Director)

Fotografías

(Director)

Retrato nº 2. Cuaderno de ensayos

(Director)

Improvisaciones Celrá

(Director)

Villa 31. Buenos Aires.

(Idea)

Un minuto de silencio por la cultura libre

(Director)

Cepilllo de dientes, esquina de gong

(Director)

Villa 31. Buenos Aires.

(Director)

Carea careando. De pastores, perros y rebaños

(Cinematography)

Cepilllo de dientes, esquina de gong

(Editor)

Chamamento

(Cinematography)

Chamamento

(Editor)

Dada Jazz. Piensan las manos piensan los pies

(Idea)

Cepilllo de dientes, esquina de gong

(Cinematography)

Chamamento

(Director)

Villa 31. Buenos Aires.

(Editor)

Lekuz leku

(Director)

Carea careando. De pastores, perros y rebaños

(Sound Editor)

Villa 31. Buenos Aires.

(Cinematography)

We'll Have Already Forgotten

(Director)

We'll Have Already Forgotten

(Writer)

We'll Have Already Forgotten

(Producer)

We'll Have Already Forgotten

(Cinematography)

We'll Have Already Forgotten

(Sound)

We'll Have Already Forgotten

(Music)

We'll Have Already Forgotten

(Editor)

The Perfect Human

(Writer)

Libertad

(Writer)

Libertad

(Sound Recordist)

Libertad

(Sound Editor)

Libertad

(Editor)

Libertad

(Cinematography)

O prezo da dote

(Director)

O tempo dos bullós

(Director)

Notas de lo efímero

(Director)

Felipe vuelve a casa con las ovejas sonando

(Director)

The impossible cities

(Director)

Catálogo de escenarios para la muerte de Pier Paolo Pasolini

(Director)

Hostal España

(Director)

Libertad

(Director)

The Perfect Human

(Director)

Fucking Mine

(Dialogue Editor)

Fucking Mine

(Sound Editor)

Fucking Mine

(Production Coordinator)

Fucking Mine

(Writer)

Glass Bottom Ferry. On Borders and Submerged Utopias

(Director)