Faten Hamama (May 27, 1931 - January 17, 2015) was an Egyptian actress and producer. Dubbed "The Lady of the Arabic Screen", she was born in El Mansoura, Egypt. Her legendary journey started as a secret statement between a six-year-old girl and her father after they watched a film in their neighborhood theater, at which leading actress and producer Asya Dagher was present. Faten told her father that she felt the audience was applauding her as the leading actress, and her father hugged her with a vision of helping his daughter become a movie star. She won a contest for the most beautiful child in Egypt, and her dad sent her picture to director Muhammad Karim (a pioneer of Egyptian cinema). Karim was looking for a child for his new film with Egyptian musician Mohamed Abdel Wahab. Faten auditioned for and got a role in this movie, Yom said (1940) ("A Happy Day"). She impressed the filmmakers so much during shooting that she was actually given more lines and scenes in the picture than were scripted initially for her. Karim put her under contract, and four years later he gave her a role in a film with Mohamed Abdel Wahab again, Russassa fil Kalb (1944) ("A Bullet in the Heart"). With her third movie with Karim, Dunia (1946), Faten showed filmmakers and audiences alike that she was an actress ready for bigger roles. Her father, along with her family, moved to Cairo to help her in her career. She also began studying her craft at the High Institute of Acting in 1946. Faten left Egypt from 1966-1971 because she resisted the political pressure that was applied to her. She divided her time between Lebanon and London, England. During this period Egyptian President Gamal Abdel Nasser asked some prominent critics and writers to try to persuade her to return to Egypt, saying that "Faten Hamama is a national treasure". Her return to Egypt in 1971 breathed life back into Egyptian cinema. She insisted that her films reflect the values of society through family relationships. Her first film upon return was Witch (a short film) with Salah Zulfikar. Her role in Emberatoriet Meem (1972) ("Empire M") as a widow with six children and the struggles she endured to raise them made the film a success both critically and financially, and she earned a special award from an organization in the Soviet Union when the film was shown at the Moscow International Film Festival. Her film Orid Hallan (1975) ("I Need a Solution") which was produced by Salah Zulfikar was not only a big hit but resulted in changes to Egyptian marriage and divorce laws. Faten Hamama is the fourth Pyramid in Egyptian cinema, a legend in her platinum anniversary, the diamond that remained shining and kept glowing over the decades on the silver screen.
I Am the Past
(Samia Farid)
The Lady of the House
(Elham)
Orphans' money
(Zahira)
Every house has a man
(فاتن أنيس كامل)
أشكى لمين
Farewell My Love
Cup of torment
(نعمة)
Love and Tears
(Fatma)
سلوا قلبي
The Last Night
(Fawzia/Nadia)
Sayedat el kasr
(Sawsan)
Sleepless
(Nadia Lutfy)
The Sun Will Never Set
(Layla)
Immortal Song
(Wafa Riyad Hamdi)
Ethics for Sale
Bayoumi Afandi
(zenat)
Like A Matchstick
The Blazing Sun
(Amal)
The Nightingale's Prayer
(أمنة)
Cairo
(Amina)
Son of the Nile
(زبيده)
Dunia
(Nadia Fathy Bey)
Baba Amin
(Huda)
Empire M
(Mona)
House No. 13
(نادية)
Aisha
(Aisha)
Your Day Will Come
(انصاف)
Ana bint Nass
People's secrets
Malak alrahma
(Thurya)
Mouths and Rabbits
(Nemat)
The Open Door
(Laila Sliman)
Khulud
(Laila (mother) / Amal (daughter))
Appointment with Life
(Amal)
Appointment with Love
(Nawal)
Qolob El Nas
(Neama)
The River of Love
(Nawal)
Angels in Hell
The Barred Road
(Fayza (teacher))
Professor Fatima
(Fatima (Lawyer))
I Want a Solution
(Doria Azmi)
No Time for Love
(Fawzy)
Bitter Day, Sweet Day
(Aisha Muhammad Al-Mandali)
The Two Orphans
Happy Day
(Aneesa - Child)
Al-Malak Al-Zalem
Our Best Days
(هدى)
Abu Zeid el Hilali
Zalamoni El Nas
(Nemat)
The Sin
(Aziza)
Bein Al-Atlal
(منى)
A Bullet in the Heart
(نجوى)
Sands of Gold
(Zebyda)
The Thin Thread
(Mona)
Big Love
(Hanan)
The Time of Miracles
(نعمت ابراهيم)
The Miracle
(Leila)
The Night Of Fatima's Arrest
(Fatma فاطمة)
I Won't Confess
(Amal (wife))
Traces in the Sand
(Ragia)
God Is on Our Side
(نادية)
The Great Clown
Land of Dreams
(Narges)
I'll Never Cry
(Huda)
Tarek Al Amal
Chair of Confession
Money slaves
(فتحية)
A Tale Behind Every Door
(Sherin / Siham)
Habibati
(Samia Mahmoud)
Always With You
(Tafida)
El Zuhur El Fatina
(Karima)
Dark Waters
(Hamedah)
Love In The Darkness
No Consolation For Women
The Virgin Wife
(منى)
Ways of the Heart
(Karima)
Shadow of Treason
(Nadia)
Something in My Life
(Aida)
The Confession
(Nawal)
Pity My Tears
(Amal Amin)
Appointment with Happiness
(Ehsan / Amal)
Story of a Lifetime
(Nadia)
Till We Meet
(Amal)
The Song of Death
I Want This Man
Witch
Land of Peace
(Salma)
Punishment
Towards glory
Cinépanorama
(Self)
Conscience of Teacher Hekmat
(Hekmat Hashim)