Filmmaker, installation and performance artist Dominic Gagnon works with images taken from the web. His works question the specificity of cinema while suggesting the breakdown of its formal frameworks. Through these twists, his practice calls into question the institutional and cultural modalities of image production and consumption. His work focuses on the themes of contemporary mythologies, marginal productions of the moving image and their censorship, and the conditions of mediation between the work and the viewer. Issues such as violence, the economy, homelessness, identity and sadomasochism are also part of his work.
Kosovolove
(Sound Designer)
Hoax Canular
(Director)
Beluga Crash Blues
(Director)
Beluga Crash Blues
(Writer)
Parapluie Bomb City
(Director)
Parapluie Bomb City
(Editor)
Parapluie Bomb City
(Sound)
Parapluie Bomb City
(Writer)
Big in China. Georges and the Vision Machines
(Director)
Operation Cobra
(Director)
RIP in Pieces America
(Director)
Pieces and Love All to Hell
(Director)
Of the North
(Director)
White Noise
(Technical Supervisor)
Anchorage
(Director)
Anchorage
(Director of Photography)
Anchorage
(Editor)
Be Loyal and Sincere
(Director)
Be Loyal and Sincere
(Editor)
Be Loyal and Sincere
(Mixing Engineer)
Space Down
(Director)
Du moteur à explosion
(Director)
Going South
(Director)
Total Recall
(Director)
Blockbuster History
(Director)
The Matrix
(Director)
Du rouge à lèvres
(Director)
ISO
(Director)
Society's Space
(Director)
DATA
(Director)
Big Kiss Goodnight
(Director)
Big Kiss Goodnight
(Editor)
High Speed
(Director)
ISO
(Music)
ISO
(Director of Photography)
White Noise
(Director of Photography)