Massimo D'Anolfi
The Betrothed
(Director)
The Betrothed
(Story)
The Betrothed
(Director of Photography)
The Betrothed
(Writer)
The Betrothed
(Editor)
The Castle
(Director)
The Castle
(Writer)
Dark Matter
(Director)
Dark Matter
(Producer)
Dark Matter
(Screenplay)
Dark Matter
(Director of Photography)
The Never Ending Factory of the Duomo
(Director)
The Never Ending Factory of the Duomo
(Writer)
Angela
(Screenplay)
A Day in the Piero Bottoni Archive
(Director)
Miraculous Spiral
(Director)
Miraculous Spiral
(Screenplay)
Great Expectations
(Writer)
Great Expectations
(Director)
Trace of the future according to Massimo D'Anolfi and Martina Parenti
(Director)
Great Expectations
(Cinematography)
Great Expectations
(Editor)
Bestiaries, Herbaria, Lapidaries
(Writer)
Bestiaries, Herbaria, Lapidaries
(Producer)
Bestiaries, Herbaria, Lapidaries
(Director)
Blu
(Director)
Blu
(Screenplay)
Blu
(Director of Photography)
Blu
(Producer)
Blu
(Editor)
The Never Ending Factory of the Duomo
(Editor)
The Castle
(Director of Photography)
The Never Ending Factory of the Duomo
(Director of Photography)
The Castle
(Editor)
Dark Matter
(Editor)
War and Peace
(Director)
War and Peace
(Screenplay)
War and Peace
(Producer)
War and Peace
(Editor)
Miraculous Spiral
(Producer)
War and Peace
(Camera Operator)
Miraculous Spiral
(Camera Operator)
Un Documento
(Director)
Un Documento
(Cinematography)
Bestiari, Erbari, Lapidari / Documenti
(Director)
Acqua
(Director)
Acqua
(Director of Photography)
Si torna a casa
(Director)
The Dark Sea
(Writer)
The Dark Sea
(Idea)
The Dark Sea
(Story)
The Dark Sea
(Screenplay)