Dean Kavanagh is an experimental filmmaker from Ireland. Over the past 14 years, he has created 70 shorts and 6 feature films. His cinema intricately forges a new relationship between contemporary and legacy media formats, while combining materialist film methodologies with a focus on narrative structures. This work has been described as part of an important new direction in Irish cinema and has been screened at film festivals and cultural institutions internationally. His filmmaking is supported by the Arts Council of Ireland.
Hole in the Head
(Director)
In Passing
(Director)
In Passing
(Cinematography)
Ten Years In The Sun
(Makeup Artist)
HSP: There Is No Escape from the Terrors Of the Mind
(Director of Photography)
HSP: There Is No Escape from the Terrors Of the Mind
(Sound)
Forbidden Symmetries
(Director)
Forbidden Symmetries
(Sound Designer)
Forbidden Symmetries
(Idea)
Poor Edward
(Director)
The Man in Autumn
(Director)
The Distance
(Director)
Detritus
(Director)
Last Sunday
(Director)
Light from an Old Town
(Director)
Good Evening
(Director)
Backmatter (1)
(Director)
Backmatter (2)
(Director)
Abandon
(Director)
Nocturnum
(Director)
Sound from the Valley Floor
(Director)
Maritime
(Director)
Revenants on Trial
(Director)
First Transmission
(Director)
Friends with Johnny Kline
(Director)
The Curse of Johnny Kline 3D
(Director)
Cut to the Chase
(Director)
Ten Years In The Sun
(Director of Photography)
Good Arrows
(Writer)
A Harbour Town
(Director)
A Harbour Town
(Cinematography)
A Harbour Town
(Editor)
Hole in the Head
(Writer)
Return of Suspicion
(Director)
Cloud of Skin
(Producer)
Animal Kingdom
(Writer)
Animal Kingdom
(Director)
Animal Kingdom
(Co-Producer)
Animal Kingdom
(Cinematography)
Animal Kingdom
(Editor)
Animal Kingdom
(Sound Editor)
History of Water
(Director)
History of Water
(Writer)
Polar Nights
(Director)
Polar Nights
(Writer)
Shellshock
(Cinematography)
All Mortal Flesh
(Cinematography)
Late Hours of the Night
(Director)
Late Hours of the Night
(Creator)