Marjorie Keller
Experimental filmmaker, author, activist, film scholar, and cultural worker Marjorie Keller (1950-1994) created a uniquely personal and feminist body of work for twenty years beginning in the early 1970s. Keller also served on the board of directors of the Collective for Living Cinema, was the founding editor of their journal, Motion Picture from 1984 to 1987 and was Director of the New York Filmmakers Cooperative in the late 1980s. Writer J. Hoberman called her “an unselfish champion of the avant-garde.” Her films deftly combine home movie and diary styles through a potent politicized lens.
Trip to Carolee
(Camera Operator)
By Twos and Threes: Women
(Director)
Six Windows
(Director)
The Outer Circle
(Director)
Part IV (Green Hill)
(Director)
Misconception
(Director)
Daughters of Chaos
(Director)
Private Parts
(Director)
The Answering Furrow
(Director)
The Fallen World
(Director)
Herein
(Director)
Objection
(Director)
She/Va
(Director)
Ancient Parts/Foreign Parts
(Director)
Film Notebook: Part 1 (For Saul)
(Director)
The Answering Furrow
(Editor)
The Answering Furrow
(Director of Photography)
Lyrics
(Director)
Untitled
(Director)
The Web
(Director)
Turtle
(Director)
Objection
(Director of Photography)
Objection
(Editor)
On the Verge of an Image of Christmas
(Director)
We Demand Jobs
(Director)
Hell No, No Cuts
(Director)