Till Beckmann
Mein Opa, Karin und ich
(Post Producer)
Vidourle
(Colorist)
DJ Punk: The Photographer Daniel Josefsohn
(Color Grading)
Antivilla
(Cinematography)
Antivilla
(Editor)
Antivilla
(Post Producer)
Behind the Headlines
(Colorist)
The Airstrip - Decampment of Modernism, Part III
(Editor)
Two Museums
(Camera Operator)
Two Museums
(Post Production Supervisor)
Tara
(Color Grading)
The Airstrip - Decampment of Modernism, Part III
(Camera Technician)
Young Light
(Screenplay)
Union - Die besten aller Tage
(Color Grading)
Slaughterhouses of Modernity
(Editor)
Slaughterhouses of Modernity
(Cinematography)
Mamani in El Alto
(Cinematography)
Mamani in El Alto
(Editor)
Who We Were
(Post Production Supervisor)
Bickels [Socialism]
(Sound)
Streetscapes [Dialogue]
(Cinematography)
Streetscapes [Dialogue]
(Editor)
Dieste [Uruguay]
(Director of Photography)
Dieste [Uruguay]
(Editor)
2 + 2 = 22 [The Alphabet]
(Director of Photography)
2 + 2 = 22 [The Alphabet]
(Editor)
Bickels [Socialism]
(Director of Photography)
Bickels [Socialism]
(Editor)
The Loneliness of the Big City Dwellers
(Color Grading)
The Last City
(Director of Photography)
The Last City
(Editor)