Aline Bonetto
Aline Bonetto is a French production designer and set decorator, best known for her work with Jean-Pierre Jeunet on films such as Amélie (2001), A Very Long Engagement (2004), and Micmacs (2009), among others. Her work on the first two of those films each earned her the César Award for Best Production Design, as well as nominations for the Academy Award for Best Art Direction. She served as production designer on the DC Extended Universe film Wonder Woman (2017), as well as its sequel Wonder Woman 1984 (2020). Description above from the Wikipedia article Aline Bonetto, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The City of Lost Children
(Set Decoration)
A Very Long Engagement
(Production Design)
Micmacs
(Production Design)
You Will Be My Son
(Production Design)
Asterix & Obelix: The Middle Kingdom
(Production Design)
Madeline
(Set Decoration)
Amélie
(Production Design)
Asterix at the Olympic Games
(Production Design)
Pan
(Production Design)
Yves Saint Laurent
(Production Design)
Wonder Woman
(Production Design)
Delicatessen
(Set Decoration)
The Truth About Charlie
(Set Decoration)
Proper Attire Required
(Production Design)
Kennedy et moi
(Production Design)
Leave Your Hands on My Hips
(Production Design)
Wonder Woman 1984
(Production Design)
The Young and Prodigious T.S. Spivet
(Production Design)
The Killer
(Production Design)
Bigbug
(Production Design)
L'appel du 18 juin
(Production Design)
Lost in Transit
(Production Design)
Je règle mon pas sur le pas de mon père
(Production Design)
Hell
(Production Design)
Violette
(Production Design)
Vertiges de l'amour
(Production Design)
The New Snow White
(Production Design)