Edward Yang
Edward Yang (Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese Cinema. Yang's singular visual style has been defined by deliberate pacing, long takes, fixed camera, few closeups, empty spaces, and cityscapes. His films prominently feature themes of struggle between tradition and modernity, and between business and art, set against the backdrop of an evolving Taiwanese society.
Duckweed
(Director)
Duckweed
(Writer)
Yi Yi
(Director)
Yi Yi
(Writer)
A Brighter Summer Day
(Writer)
A Brighter Summer Day
(Director)
A Confucian Confusion
(Writer)
A Confucian Confusion
(Director)
Mahjong
(Director)
Mahjong
(Writer)
Terrorizers
(Director)
Terrorizers
(Writer)
That Day, on the Beach
(Director)
That Day, on the Beach
(Writer)
Taipei Story
(Director)
Taipei Story
(Original Music Composer)
In Our Time
(Director)
Duckweed
(Music Director)
Growth Period
(Director)
Growth Period
(Writer)
The Wind
(Director)
In Our Time
(Writer)
A Summer at Grandpa's
(Original Music Composer)
Likely Consequence
(Director)
Likely Consequence
(Writer)
The Trigger
(Producer)
The Winter of 1905
(Writer)
Taipei Story
(Screenplay)