Júlio Bressane
Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer. A representative of the Brazilian cinema marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months. He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film. Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Queen of the Night
(O Espectro)
A Mulher da Luz Própria
(Self (archive footage))
Drumming Beat of the Stars
Sentimental Education
(Self)
Viola Chinesa
Strade perdute - Filmmaker 23
Ver Viver Reviver
About Cinema
(Self)
Quando a Coisa Vira Outra
(Self (archive footage))
Galáxia Albina
Horror Palace Hotel
(Himself)
The Long Voyage of the Yellow Bus
(Self)
Nouvelle Vague
((voice))
50 minutos e 23 segundos com Júlio Bressane
(Self)
A Miss e o Dinossauro
(Himself (archive footage))
Talking Cinema
Earth
Avacalha e se Esculhamba
The Agony
Lágrima Pantera — A Míssil
Copacabana, Mon Amour: A Restauração
(Self)
A Linguagem do Cinema
Nietzsche Sils Maria Rochedo de Surlej
A Vermelha Luz do Bandido
Belair
Naive Cinema
(Reporter)
Brás Cubas
Torquato Neto, O Anjo Torto da Tropicália
(Self)
Candango: Memoirs from a Festival
(Self)
Capitu and the Chapter
(Screenplay)
Capitu and the Chapter
(Director)
The Agony
(Writer)
The Agony
(Director)
Quem seria o feliz conviva de Isadora Duncan?
(Director)
Cleopatra
(Writer)
Cleopatra
(Director)
Drumming Beat of the Stars
(Producer)
The Herb of the Rat
(Director)
A Love Movie
(Writer)
A Love Movie
(Director)
Killed the Family and Went to the Movies
(Screenstory)
The Angel Was Born
(Director)
The Angel Was Born
(Writer)
São Jerônimo
(Director)
São Jerônimo
(Writer)
Beduino
(Writer)
Lima Barreto: Trajetória
(Writer)
Lima Barreto: Trajetória
(Producer)
Plantation Boy
(Editor)
Plantation Boy
(Assistant Director)
Lima Barreto: Trajetória
(Director)
O Rei do Baralho
(Director)
A Fada do Oriente
(Director)
Days of Nietzsche in Turin
(Director)
Killed the Family and Went to the Movies
(Director)
A Familia do Barulho
(Writer)
Miramar
(Director)
A Familia do Barulho
(Producer)
A Familia do Barulho
(Director)
Drumming Beat of the Stars
(Director)
Sermões: A História de Antônio Vieira
(Writer)
Sermões: A História de Antônio Vieira
(Director)
Venice 70: Future Reloaded
(Director)
Aperana Street 52
(Writer)
Aperana Street 52
(Director)
Sentimental Education
(Director)
Sentimental Education
(Writer)
O Gigante da América
(Writer)
O Gigante da América
(Director)
Baron Olavo, The Horrible
(Director)
O cinema do cinema – Criação e recriação da imagem no filme cinematográfico
(Director)
The Mandarin
(Director)
Memoirs of a Strangler of Blondes
(Director)
Memoirs of a Strangler of Blondes
(Writer)
Face To Face
(Director)
Naive Cinema
(Director)
Crazy Love
(Director)
Crazy Love
(Writer)
Brás Cubas
(Director)
Tabu
(Director)
Tabu
(Writer)
Brás Cubas
(Writer)
Naive Cinema
(Writer)
Rudder of Destiny
(Director)
Watch Out, Madame
(Writer)
Watch Out, Madame
(Director)
Watch Out, Madame
(Editor)
Rudder of Destiny
(Writer)
Viola Chinesa
(Director)
Viola Chinesa
(Screenplay)
Baron Olavo, The Horrible
(Executive Producer)
A Familia do Barulho
(Executive Producer)
Baron Olavo, The Horrible
(Producer)
Baron Olavo, The Horrible
(Writer)
Ideograma
(Director)
Oswaldianas
(Director)
O Monstro Caraíba
(Costume Design)
O Monstro Caraíba
(Producer)
O Monstro Caraíba
(Editor)
O Monstro Caraíba
(Writer)
Brazil Year 2000
(Producer)
Kid
(Writer)
Kid
(Director)
São Jerônimo
(Producer)
Lágrima Pantera — A Míssil
(Director)
Ver Viver Reviver
(Director)
Bethânia Bem de Perto: A Propósito de um Show
(Director)
Crazy Love
(Editor)
Crazy Love
(Producer)
Memoirs of a Strangler of Blondes
(Editor)
Memoirs of a Strangler of Blondes
(Producer)
Sob o céu, sob o sol, Salvador
(Director)
Cidade pagã
(Director)
Galáxia Albina
(Director)
Terra incógnita
(Director)
As canções que você fez pra mim
(Director)
The Long Voyage of the Yellow Bus
(Director)
The Long Voyage of the Yellow Bus
(Editor)
The Long Voyage of the Yellow Bus
(Producer)
The Long Voyage of the Yellow Bus
(Original Music Composer)
The Long Voyage of the Yellow Bus
(Writer)
Beduino
(Director)
The Mandarin
(Writer)
Ver Viver Reviver
(Camera Operator)
Carnaval na Lama
(Producer)
Galáxia Albina
(Editor)
Galáxia Albina
(Writer)
Galáxia Albina
(Producer)
O Gigante da América
(Camera Operator)
No Way, Spider
(Editor)
Days of Nietzsche in Turin
(Producer)
O Rei do Baralho
(Camera Operator)
O Rei do Baralho
(Music)
Passagem em Ferrara
(Director)
Dark Galaxy
(Editor)
Dark Galaxy
(Camera Operator)
Dark Galaxy
(Compositors)
Dark Galaxy
(Director)
O Monstro Caraíba
(Director)
Seduction of the Flesh
(Director)
Flashes of Critiques Metaphysical Murmurs
(Director)
Flashes of Critiques Metaphysical Murmurs
(Screenplay)
Antonioni e Hitchcock - A Imagem em Fuga
(Director)
Nietzsche Sils Maria Rochedo de Surlej
(Producer)
Nietzsche Sils Maria Rochedo de Surlej
(Director)
Nietzsche Sils Maria Rochedo de Surlej
(Cinematography)
Nietzsche Sils Maria Rochedo de Surlej
(Writer)
Nietzsche Sils Maria Rochedo de Surlej
(Production Design)
Aperana Street 52
(Producer)
O Guesa
(Producer)
Killed the Family and Went to the Movies
(Writer)
Killed the Family and Went to the Movies
(Associate Producer)
Killed the Family and Went to the Movies
(Producer)
Miramar
(Producer)
Miramar
(Writer)
Watch Out, Madame
(Producer)
The Herb of the Rat
(Writer)
Copacabana Mon Amour
(Producer)
Bethânia Bem de Perto: A Propósito de um Show
(Editor)
Bethânia Bem de Perto: A Propósito de um Show
(Producer)
Bethânia Bem de Perto: A Propósito de um Show
(Sound)
Bethânia Bem de Perto: A Propósito de um Show
(Cinematography)
The Angel Was Born
(Producer)
Face To Face
(Screenstory)
Face To Face
(Producer)
Face To Face
(Screenplay)
A Miss e o Dinossauro
(Camera Operator)
Seduction of the Flesh
(Music)
Seduction of the Flesh
(Screenplay)
Tabu
(Director of Photography)