Pedro Chaskel, is one of the main precursors of the so-called New Chilean Cinema, as a director, cameraman and editor of numerous short and feature length films. An early emigrant from Germany at the age of seven, Chaskel became a Chilean national in 1952, and studied architecture at the Universidad de Chile from 1951 to 1954. That year, he became a founding member and animator of the Cine Club Universitario de la Federación de Estudiantes de Chile (FECH). A conspirator in the exhibition of films that did not come to Chile through the regular commercial circuit, Chaskel promoted, together with a group of contemplative people, a custom that was not very common in Chile: the cinema forum, or the debate organized after the film screenings that he did at the Central House of the Universidad de Chile. It was there that classics of German expressionism, Italian neo-realism and any film they had available were shown for the first time in Chile. In 1973, due to the military coup suffered by the government of President Salvador Allende, Chaskel is expelled from the Universidad de Chile by the military authorities, and travels abroad. Between 1974 and 1983 he settled in Cuba, where he worked as an editor at the Cuban Institute of Art and Cinematographic Industry (ICAIC), and since 1979, as a director and filmmaker for the same institute. In 1983, he returns to Chile. He works in film and video as an independent professional, working as an editor and director of documentaries. From 1997 to date, he has taught film at many Chilean universities.
Yo tenía un camarada
(Editor)
Testimony
(Screenplay)
Testimony
(Editor)
Érase un niño, un guerrillero, un caballo…
(Editor)
Road Signs
(Thanks)
Angelito
(Editor)
El Analfabeto
(Editor)
El Analfabeto
(Producer)
Érase una vez
(Director)
Érase una vez
(Editor)
Parkinsonismo y cirugía
(Director of Photography)
Imágenes Antárticas
(Music)
Por la vida
(Director)
Por la vida
(Screenplay)
Por la vida
(Editor)
Jackal of Nahueltoro
(Editor)
Testimony
(Director)
Entre ponerle y no ponerle...
(Editor)
Recado de Chile
(Editor)
Neruda en el corazón
(Director)
Imágenes de Un Primero de Mayo
(Editor)
Day of the Organ Grinders
(Producer)
Day of the Organ Grinders
(Director of Photography)
Somos +
(Director)
Una foto recorre el mundo
(Director)
¿Qué es?
(Director)
¿Qué es?
(Editor)
Organilleros
(Director)
The Battle of Chile: Part I
(Screenplay)
It's Not Time to Cry
(Director)
Venceremos
(Director)
Venceremos
(Editor)
Perla
(Editor)
Tres miradas a la calle
(Art Direction)
The Revolt
(Editorial Consultant)
The Battle of Chile: Part I
(Editor)
La Revolución de los Pingüinos
(Editor)
De vida y de muerte, testimonios de la Operación Cóndor
(Director)
De vida y de muerte, testimonios de la Operación Cóndor
(Editor)
Aquí vivieron
(Director)
Aquí vivieron
(Cinematography)
Descomedidos y chascones
(Editor)
Eyes Like My Dad
(Editor)
Eyes Like My Dad
(Director)
Abortion
(Director)
Abortion
(Writer)
Abortion
(Editor)
Deja que los perros ladren
(Assistant Director)
Lizards' Tales
(Editor)
Eyes Like My Dad
(Screenplay)
The Battle of Chile: Part II
(Screenplay)
The Battle of Chile: Part II
(Editor)
The Battle of Chile: Part III
(Editor)
Aquí vivieron
(Editor)
Ana
(Editor)
The Battle of Chile: Part III
(Other)
Buscando Isla de Pascua, la película perdida
(Thanks)
¿Y... si fuera cierto?
(Editor)