R. Bruce Elder

Since 1975, R. Bruce Elder has been building two formidable bodies of work, as an artist working in the experimental tradition, and as an author of critical texts on art and cinema. His artistic achievements were recognized in 2007 with a Governor General’s Award in Visual and Media Arts, Canada’s most prestigious award in those field, and was elected to the Royal Society of Canada. Jonas Mekas, founder of the New York Filmmakers Co-op and principle visionary of the American avant-garde cinema, has dubbed him “the most important North American avant-garde filmmaker to emerge during the 1980s.” Something similar could be said of Elder’s monumental works of art criticism. His role as an author has in recent years assumed the task of charting the relationship between cinema and art movements through the twentieth century, as we see in his recent book, DADA, Surrealism, and the Cinematic Effect, his previous, Harmony & Dissent: Film and Avant-garde Art Movements in the Early Twentieth Century, and the forthcoming Cubism and Futurism: Spiritual Machines and the Cinematic Effect. In 2009, he received the Robert Motherwell Book Award from the Dedalus Foundation for Harmony + Dissent.

Crew

Lamentations: A Monument for the Dead World

(Director)

1857 (Fool's Gold)

(Director)

Sweet Love Remembered

(Director)

Illuminated Texts

(Director)

Consolations (Love Is an Art of Time) Part 1: The Fugitive Gods

(Director)

Permutations and Combinations

(Director)

Consolations (Love Is an Art of Time) Part 2: The Lighted Clearing

(Director)

Flesh Angels

(Director)

Breath/Light/Birth

(Director)

Consolations (Love Is an Art of Time) Part 3: The Body and the World

(Director)

The Art of Worldly Wisdom

(Director)

Look! We Have Come Through!

(Director)

Barbara is a Vision of Loveliness

(Director)

Newton and Me

(Director)

She Is Away

(Director)

Exultations: In Light of the Great Giving

(Director)

Trace

(Director)

Burying the Dead (Into the Light)

(Director)

Et Resurrectus Est

(Director)

Azure Serene

(Director)

Crack, Brutal Grief

(Director)

A Man Whose Life Was Full of Woe Has Been Surprised by Joy

(Director)

Unremitting Tenderness

(Director)

Potamkin

(Thanks)

What Troubles the Peace at Brandenburg?

(Director)

The Young Prince

(Director)

A Gathering of Crystals

(Director)

Eros and Wonder

(Director)

Alone: All Flesh Shall See It Together

(Director)

Sweet Love Remembered

(Music)

Infunde Lumen Cordibus

(Director)

Illuminated Texts

(Writer)

Lamentations: A Monument to the Dead World, Part 1: The Dream of the Last Historian

(Director)

Lamentations: A Monument for the Dead World

(Writer)

Lamentations: A Monument for the Dead World

(Producer)

Lamentations: A Monument for the Dead World

(Director of Photography)

Lamentations: A Monument for the Dead World

(Editor)

The Art of Worldly Wisdom

(Director of Photography)

A Man Whose Life Was Full of Woe Has Been Surprised by Joy

(Director of Photography)

Lamentations: A Monument to the Dead World, Part 2: The Sublime Calculation

(Director)

Consolations (Love is an Art of Time)

(Director)

Consolations (Love is an Art of Time)

(Writer)

Crack, Brutal Grief

(Cinematography)

Crack, Brutal Grief

(Editor)

Crack, Brutal Grief

(Sound)

Return to Nature! The True Natural Method of Healing and Living and the True Salvation of the Soul: Paradise Regained—The Core of the Body—Water, Human Curative Power, Light, Air, Earth, Food, Fruit Culture

(Director)