Peter Weibel (Austrian German: [ˈvaɪbl], German: [ˈvaɪbəl]; 5 March 1944 – 1 March 2023) was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms. From 1999 he was the director of the ZKM Center for Art and Media Karlsruhe.
Seven Women, Seven Sins
(Politician (segment "Lust"))
Home Movies 1971-81
Anyone who dares will take the cold off their horse
(Self)
Seduction: The Cruel Woman
(Mr. Mährsch)
Invisible Adversaries
(Peter)
Hernals
Post-Socialism+Retro Avantgarde+Irwin
(Himself)
Kunst & Revolution
Exit... But No Panic
(Langner)
ViennaFilm 1896-1976
(Self)
Stille Weiher
Lust
Club 2
(Self)
Phettbergs nette Leit Show
(Self)
TV-Aquarium (TV-Death 1)
(Director)
The Endless Sandwich
(Director)
Nivea
(Director)
Die Kommunikation is das Medium
(Director)
More Warmth Among Human Beings
(Director)
Every Action Causes Another
(Director)
Timeblood
(Director)
The Public As Exhibit
(Director)
TV & VT-Works
(Producer)
Depiction Is A Crime
(Director)
Intervals
(Director)
TV-News (TV-Death II)
(Director)
Synthesis. On/Off
(Director)
Imaginary Water Sculpture
(Director)
Switchersex
(Director)
Tritity
(Director)
Self Limitation - Self Drawing - Self Description
(Director)
Parenthetical Identity
(Director)
Monodrom
(Director)
Chamber Music
(Director)
TV + VT Werke 1969-1972
(Director)
Invisible Adversaries
(Writer)
Depiction is a Crime
(Director)
Menschenfrauen
(Writer)
Sei zärtlich, Pinguin
(Writer)
Fingerprint
(Director)