Peter Weibel was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms.
Seven Women, Seven Sins
((segment "Lust"))
Home Movies 1971-81
Anyone who dares will take the cold off their horse
(Self)
Seduction: The Cruel Woman
(Mr. Mährsch)
Invisible Adversaries
(Peter)
Hernals
Post-Socialism+Retro Avantgarde+Irwin
(Himself)
Kunst & Revolution
Exit... But No Panic
ViennaFilm 1896-1976
(Self)
Stille Weiher
Club 2
(Self)
Phettbergs nette Leit Show
(Self)
The Endless Sandwich
(Director)
TV-Aquarium (TV-Death 1)
(Director)
Nivea
(Director)
Die Kommunikation is das Medium
(Director)
Every Action Causes Another
(Director)
More Warmth Among Human Beings
(Director)
Timeblood
(Director)
The Public As Exhibit
(Director)
TV & VT-Works
(Producer)
Depiction Is A Crime
(Director)
Intervals
(Director)
Synthesis. On/Off
(Director)
TV-News (TV-Death II)
(Director)
Tritity
(Director)
Imaginary Water Sculpture
(Director)
Parenthetical Identity
(Director)
Switchersex
(Director)
Self Limitation - Self Drawing - Self Description
(Director)
Monodrom
(Director)
Chamber Music
(Director)
TV + VT Werke 1969-1972
(Director)
Invisible Adversaries
(Writer)
Depiction is a Crime
(Director)
Menschenfrauen
(Writer)
Sei zärtlich, Pinguin
(Writer)