Narcisa Hirsch (née Heuser, born 1928) is an Argentine experimental filmmaker of German birth. Her work centered on themes of the body, love, sex, death, movement, and the female gaze. Despite this focus on women, she has resisted being labeled as a feminist. She began as a painter, and but her later and better known work centers on performance and film, though she has also written several books. She cites Salvador Dalí and Luis Buñuel as influences to her experimental film work, as well as the Bauhaus artists of Germany. During her time as an experimental filmmaker in Argentina, she frequented the Di Tella Institute and the Goethe Institute, a place where many of her works premiered. Recenlty, her work has been honored through several retrospectives at international film festivals, though it was relatively unknown outside of exclusive circles when it first premiered. Description above from the Wikipedia article Narcisa Hirsch, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Descendencia
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la velocidad del tiempo
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Orpheus and Eurydice
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Rafael agosto 1984
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Aigokeros
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Warnes
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Pocos son los que conocen el secreto del amor
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Retrato de Marta Minujín
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Diarios Patagónicos 2
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Mundial 78
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Pichón en el Obelisco
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Tambores en la plaza
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Edgardo
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Postal Austria
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Patagonia
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Songs From Naples
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Mujeres
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The Bengali Night
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Para Virginia
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AMA-ZONA
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Rumi
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Homecoming
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Workshop
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El Aleph
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A-Dios
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Testamento y vida interior
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El Mito de Narciso
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Rumi
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Come Out
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Diarios Patagónicos 1
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Kosmos
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Andrea 1973
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Rafael, 1975
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Paddock
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Pioneros
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Celebración
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El erotismo del tiempo
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Neapolitan Songs
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Marabunta
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Mundial
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Apples
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Portraits
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Pink Freud
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Kosmos
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Retrato de una artista como ser humano
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Myst
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Los chicos y la calle
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Los chicos y la calle
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Ana, ¿Dónde Estás?
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Ana, ¿Dónde Estás?
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Ana, ¿Dónde Estás?
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Muñecos (Have a baby)
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Muñecos (Have a baby)
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Chicos 1969
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