Robert Winter is a visual effects supervisor at Framestore. He began working in visual effects in 1997 at Sony Pictures Imageworks, where he contributed to films such as Starship Troopers (1997), Hollow Man (2000), Hancock (2008), and Alice in Wonderland (2010). In 2014, Winter moved to MPC (Moving Picture Company), where he led effects work on high-profile projects including Suicide Squad (2016) and Godzilla: King of the Monsters (2019). During his time at MPC, he also supervised the visual effects on Jumanji: Welcome to the Jungle (2017), where he spoke about how his team used crowd simulation and bespoke animation tools to bring realistic animal behaviour and large crowds to life. In 2018, Winter joined Framestore, a major visual effects studio, and became the VFX supervisor on Lady and the Tramp (2019). On that project, he and his team faced the challenge of balancing realistic quadruped performance with emotional expression, especially in sequences like the iconic spaghetti dinner. At Framestore, he has also overseen complex large-scale effects, for example, on Moonfall (2022), where his team built a highly detailed digital moon, simulated its destruction, and designed a nano-swarm.
The Polar Express
(Sequence Supervisor)
The Amazing Spider-Man 2
(CG Supervisor)
The Amazing Spider-Man
(CG Supervisor)
Moonfall
(Visual Effects Supervisor)
Jumanji: Welcome to the Jungle
(Visual Effects Supervisor)
Project Hail Mary
(Visual Effects Supervisor)
Rebel Moon - Part Two: The Scargiver
(Visual Effects Supervisor)
Rebel Moon - Part One: A Child of Fire
(Visual Effects Supervisor)
Army of the Dead
(Visual Effects Supervisor)
Lady and the Tramp
(Visual Effects Supervisor)
Godzilla: King of the Monsters
(Visual Effects Supervisor)
Suicide Squad
(Visual Effects Supervisor)
Goosebumps
(Visual Effects Supervisor)
Green Lantern
(CG Supervisor)
Alice in Wonderland
(CG Supervisor)
Hancock
(CG Supervisor)
Spider-Man 3
(CG Supervisor)
Zathura: A Space Adventure
(CG Supervisor)