Choi Gyeong-ok
Gyeong-ok Choi was a South Korean film director, cinematographer, and producer active from the late 1950s to the early 1970s. He began his career as a cinematographer, contributing to films such as A College Woman's Confession (1958) and Madam White Snake (1960). Choi transitioned to directing with works like That Man in Chang-An (1967) and Blind Swordswoman (1969). His films often explored themes of revenge and martial arts, reflecting the cinematic trends of South Korea during that period.
The Shadowless Pagoda
(Cinematography)
The International Secret Agent
(Director)
A Returned Man
(Cinematography)
One-sided Love of Princess
(Producer)
An Upstart
(Director of Photography)
It's Not Her Sin
(Director of Photography)
A College Woman's Confession
(Director of Photography)
The King with My Face
(Producer)
Blind Swordswoman
(Director)
Revenge
(Director)
A Sad Pastorale
(Director of Photography)
Madam White Snake
(Director of Photography)
That Man in Chang-An
(Director)
Final Facedown in Cheonma Mountain
(Director)
The Cloud Bridge of Gratitude
(Director)
The King with My Face
(Director)
Princess Iron Fan
(Director)
The Partisan Lovers
(Director)
A Sister's Garden
(Director of Photography)