Gyeong-ok Choi was a South Korean film director, cinematographer, and producer active from the late 1950s to the early 1970s. He began his career as a cinematographer, contributing to films such as A College Woman's Confession (1958) and Madam White Snake (1960). Choi transitioned to directing with works like That Man in Chang-An (1967) and Blind Swordswoman (1969). His films often explored themes of revenge and martial arts, reflecting the cinematic trends of South Korea during that period.
The Shadowless Pagoda
(Cinematography)
A Sister's Garden
(Cinematography)
The International Secret Agent
(Director)
A Returned Man
(Cinematography)
One-sided Love of Princess
(Producer)
A College Woman's Confession
(Director of Photography)
An Upstart
(Director of Photography)
It's Not Her Sin
(Director of Photography)
The King with My Face
(Producer)
Blind Swordswoman
(Director)
Revenge
(Director)
A Sad Pastorale
(Director of Photography)
Madam White Snake
(Director of Photography)
That Man in Chang-An
(Director)
Final Facedown in Cheonma Mountain
(Director)
The Cloud Bridge of Gratitude
(Director)