HHK Schoenherr
HHK Schoenherr (Hans Helmut Klaus Schoenherr, 1936 - 2014), Swiss artist. He was born in 1936 in Nordhausen (Harz, Germany), which would later be part of the GDR. He spent his childhood in Hamburg and the Schleswig-Holstein region. Between 1956 and 1961, he studied fine arts in Hamburg. In 1967, he participated in the experimental film festival of Knokke (Belgium). Initiator and co-founder of the first European meetings of independent filmmakers in Munich in 1968. One of the inventors of the diagrams of frames (scores that direct the rhythmic shooting of the films). Independent filmmaker and producer of experimental films since 1966.
Bildabläufe
(Co-Director)
Ich hasse, ich liebe Film
(Co-Director)
Metermass Kaputt
(Co-Director)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Director)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Editor)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Camera Operator)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Idea)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Sound)
Eine Hand geht Spazieren
(Director)
Abbruch
(Director)
Robert Walser
(Director)
Robert Walser
(Writer)
Play 2 & 3
(Director)
Daydream and Family
(Director)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Director)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Director)
Malfilm
(Director)
Portrait: Kurt Kren
(Director)
Petty-Bourgeois Dracula Idyll at the Family Table
(Director)
Actions of Indication
(Director)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Director)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Producer)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Idea)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Camera Operator)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Music)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Editor)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Idea)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Camera Operator)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Music)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Editor)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Producer)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Idea)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Camera Operator)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Editor)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Producer)
Petty-Bourgeois Dracula Idyll at the Family Table
(Idea)
Petty-Bourgeois Dracula Idyll at the Family Table
(Editor)
Petty-Bourgeois Dracula Idyll at the Family Table
(Producer)
Portrait: Kurt Kren
(Idea)
Portrait: Kurt Kren
(Camera Operator)
Portrait: Kurt Kren
(Editor)
Portrait: Kurt Kren
(Producer)
Ich hasse, ich liebe Film
(Sound)
Ich hasse, ich liebe Film
(Editor)
Ich hasse, ich liebe Film
(Producer)
Robert Walser
(Idea)
Robert Walser
(Camera Operator)
Robert Walser
(Sound)
Robert Walser
(Editor)
Robert Walser
(Producer)
Metermass Kaputt
(Idea)
Metermass Kaputt
(Sound)
Metermass Kaputt
(Editor)
Metermass Kaputt
(Producer)
Actions of Indication
(Idea)
Actions of Indication
(Producer)
Daydream and Family
(Idea)
Daydream and Family
(Camera Operator)
Daydream and Family
(Sound)
Daydream and Family
(Editor)
Daydream and Family
(Producer)
Play 2 & 3
(Producer)
Play 2 & 3
(Idea)
Play 2 & 3
(Camera Operator)
Play 2 & 3
(Sound)
Play 2 & 3
(Editor)
Bildabläufe
(Producer)
Bildabläufe
(Idea)
Bildabläufe
(Camera Operator)
Bildabläufe
(Sound)
Bildabläufe
(Editor)
Play 20
(Director)
Play 20
(Producer)
Play 20
(Idea)
Play 20
(Camera Operator)
Play 20
(Sound)
Play 20
(Editor)
Play 22
(Director)
Play 22
(Producer)
Play 22
(Idea)
Play 22
(Sound)
Play 22
(Editor)
Play 22
(Camera Operator)
Play 33
(Director)
Play 33
(Producer)
Play 33
(Idea)
Play 33
(Camera Operator)
Play 33
(Editor)
Play 33
(Sound)
Play 28/29
(Director)
Play 28/29
(Producer)
Play 28/29
(Idea)
Play 28/29
(Camera Operator)
Play 28/29
(Editor)
Play 28/29
(Sound)
The Portrait of Cordua
(Director)
The Portrait of Cordua
(Idea)
The Portrait of Cordua
(Editor)
The Portrait of Cordua
(Sound)
The Portrait of Cordua
(Camera Operator)
The Portrait of Cordua
(Producer)
Das nervöse Kino
(Director)
Das nervöse Kino
(Producer)
Das nervöse Kino
(Editor)
Das nervöse Kino
(Sound)
Das nervöse Kino
(Idea)
Play 6
(Director)
Play 6
(Idea)
Play 6
(Producer)
Play 6
(Editor)
Play 6
(Sound)
Play 6
(Camera Operator)
The Wrecked Cinema
(Director)
The Wrecked Cinema
(Idea)
The Wrecked Cinema
(Producer)
The Wrecked Cinema
(Editor)
The Wrecked Cinema
(Camera Operator)
Autoportrait
(Director)
Autoportrait
(Idea)
Autoportrait
(Producer)
Autoportrait
(Editor)
Autoportrait
(Sound)
Autoportrait
(Camera Operator)
Play 4 & 5
(Director)
Play 4 & 5
(Idea)
Play 4 & 5
(Producer)
Play 4 & 5
(Camera Operator)
Play 4 & 5
(Editor)
Play 4 & 5
(Sound)
Supervisuell
(Director)
Supervisuell
(Idea)
Supervisuell
(Producer)
Supervisuell
(Camera Operator)
Supervisuell
(Sound)
Supervisuell
(Editor)
Down Below in the Foxhole under the Cold Ground in Emmental
(Director)
Down Below in the Foxhole under the Cold Ground in Emmental
(Producer)
Down Below in the Foxhole under the Cold Ground in Emmental
(Idea)
Down Below in the Foxhole under the Cold Ground in Emmental
(Camera Operator)
Down Below in the Foxhole under the Cold Ground in Emmental
(Editor)
Down Below in the Foxhole under the Cold Ground in Emmental
(Sound)
Play
(Director)