HHK Schoenherr
HHK Schoenherr (Hans Helmut Klaus Schoenherr, 1936 - 2014), Swiss artist. He was born in 1936 in Nordhausen (Harz, Germany), which would later be part of the GDR. He spent his childhood in Hamburg and the Schleswig-Holstein region. Between 1956 and 1961, he studied fine arts in Hamburg. In 1967, he participated in the experimental film festival of Knokke (Belgium). Initiator and co-founder of the first European meetings of independent filmmakers in Munich in 1968. One of the inventors of the diagrams of frames (scores that direct the rhythmic shooting of the films). Independent filmmaker and producer of experimental films since 1966.
Metermass Kaputt
(Co-Director)
Bildabläufe
(Co-Director)
Ich hasse, ich liebe Film
(Co-Director)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Director)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Sound)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Editor)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Camera Operator)
Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge
(Idea)
Eine Hand geht Spazieren
(Director)
Abbruch
(Director)
Robert Walser
(Writer)
Robert Walser
(Director)
Play 2 & 3
(Director)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Director)
Daydream and Family
(Director)
Petty-Bourgeois Dracula Idyll at the Family Table
(Director)
Actions of Indication
(Director)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Director)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Director)
Malfilm
(Director)
Portrait: Kurt Kren
(Director)
Ich hasse, ich liebe Film
(Producer)
Robert Walser
(Camera Operator)
Daydream and Family
(Editor)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Editor)
Ich hasse, ich liebe Film
(Sound)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Producer)
Play 2 & 3
(Producer)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Editor)
Actions of Indication
(Producer)
Petty-Bourgeois Dracula Idyll at the Family Table
(Idea)
Metermass Kaputt
(Sound)
Daydream and Family
(Producer)
Play 2 & 3
(Sound)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Editor)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Idea)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Camera Operator)
Portrait: Kurt Kren
(Idea)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Idea)
Actions of Indication
(Idea)
Daydream and Family
(Camera Operator)
Play 2 & 3
(Idea)
Play 2 & 3
(Camera Operator)
Petty-Bourgeois Dracula Idyll at the Family Table
(Producer)
Ich hasse, ich liebe Film
(Editor)
Metermass Kaputt
(Idea)
Daydream and Family
(Sound)
Portrait: Kurt Kren
(Camera Operator)
Robert Walser
(Sound)
Robert Walser
(Editor)
Daydream and Family
(Idea)
Play 2 & 3
(Editor)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Idea)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Music)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Camera Operator)
Petty-Bourgeois Dracula Idyll at the Family Table
(Editor)
Robert Walser
(Producer)
Metermass Kaputt
(Producer)
Thaler’s, Meier’s, Sadkowsky’s Life in the Evening
(Music)
Portrait: Kurt Kren
(Producer)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Camera Operator)
Sonata: Gray Picture/Woman's Picture/Blue Picture & White Frame
(Producer)
Metermass Kaputt
(Editor)
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny
(Producer)
Portrait: Kurt Kren
(Editor)
Robert Walser
(Idea)
Bildabläufe
(Producer)
Play 22
(Producer)
Play 33
(Director)
Play 22
(Sound)
Play 33
(Producer)
Bildabläufe
(Editor)
Play 20
(Editor)
Play 22
(Idea)
Bildabläufe
(Idea)
Play 20
(Camera Operator)
Play 20
(Idea)
Play 20
(Sound)
Play 33
(Idea)
Play 33
(Editor)
Bildabläufe
(Camera Operator)
Play 22
(Director)
Play 22
(Editor)
Play 33
(Camera Operator)
Play 33
(Sound)
Play 20
(Director)
Bildabläufe
(Sound)
Play 20
(Producer)
Play 22
(Camera Operator)
Play 28/29
(Producer)
Play 28/29
(Sound)
Play 28/29
(Editor)
Play 28/29
(Director)
Play 28/29
(Camera Operator)
Play 28/29
(Idea)
Das nervöse Kino
(Director)
Play 6
(Director)
Autoportrait
(Sound)
The Portrait of Cordua
(Producer)
Play 6
(Sound)
Autoportrait
(Editor)
Das nervöse Kino
(Producer)
The Portrait of Cordua
(Sound)
The Wrecked Cinema
(Director)
Autoportrait
(Director)
Play 4 & 5
(Sound)
Play 6
(Producer)
Play 6
(Idea)
The Portrait of Cordua
(Editor)
Play 4 & 5
(Producer)
Play 4 & 5
(Camera Operator)
Das nervöse Kino
(Sound)
The Wrecked Cinema
(Producer)
The Wrecked Cinema
(Camera Operator)
Autoportrait
(Idea)
The Portrait of Cordua
(Idea)
Das nervöse Kino
(Editor)
Play 6
(Camera Operator)
The Wrecked Cinema
(Editor)
Autoportrait
(Camera Operator)
Play 4 & 5
(Director)
The Wrecked Cinema
(Idea)
The Portrait of Cordua
(Director)
Das nervöse Kino
(Idea)
Autoportrait
(Producer)
The Portrait of Cordua
(Camera Operator)
Play 4 & 5
(Editor)
Play 6
(Editor)
Play 4 & 5
(Idea)
Supervisuell
(Director)
Down Below in the Foxhole under the Cold Ground in Emmental
(Idea)
Down Below in the Foxhole under the Cold Ground in Emmental
(Camera Operator)
Supervisuell
(Sound)
Supervisuell
(Camera Operator)
Down Below in the Foxhole under the Cold Ground in Emmental
(Producer)
Down Below in the Foxhole under the Cold Ground in Emmental
(Director)
Supervisuell
(Idea)
Supervisuell
(Producer)
Supervisuell
(Editor)
Down Below in the Foxhole under the Cold Ground in Emmental
(Editor)
Down Below in the Foxhole under the Cold Ground in Emmental
(Sound)
Play
(Director)