Carlos Reygadas is a Mexican filmmaker. Influenced by existentialist art and philosophy, Reygadas' movies feature spiritual journeys into the inner worlds of his main characters, through which themes of love, suffering, death, and life's meaning are explored. Reygadas has been described as "the one-man third wave of Mexican cinema"; his works are generally considered art films, and are known for their expressionistic cinematography, long takes, and emotionally charged stories. Reygadas first became fascinated with cinema in 1987, upon watching the works of the acclaimed Soviet/Russian filmmaker Andrei Tarkovsky, who had died the previous year. In 1997, he entered a film competition in Belgium with his first short film, Maxhumain.
Silent Light
(Director)
Silent Light
(Screenplay)
Silent Light
(Producer)
Japón
(Director)
Japón
(Writer)
Battle in Heaven
(Director)
Battle in Heaven
(Writer)
Crane Lantern
(Producer)
Revolución
(Director)
Post Tenebras Lux
(Director)
Post Tenebras Lux
(Screenplay)
Maxhumain
(Director)
Maxhumain
(Writer)
Sermon to the Fish
(Producer)
Sermon to the Birds
(Producer)
Violence
(Thanks)
Serenghetti
(Director)
Eami
(Producer)
Our Time
(Director)
Our Time
(Writer)
Battle in Heaven
(Producer)
Battle in Heaven
(Editor)
The Return of the Dead
(Thanks)
Lenin Park
(Thanks)
La Influencia
(Co-Producer)
Post Tenebras Lux
(Producer)
Prisoners
(Director)
Prisoners
(Writer)
Los bastardos
(Associate Producer)
Japón
(Producer)
42 One Dream Rush
(Director)
Short Plays
(Director)
Estela de sombra
(Director)
Adulte
(Director)
Adulte
(Writer)
Our Time
(Producer)
Our Time
(Editor)
Aftershock
(Director)
Opus Zero
(Associate Producer)
This Is My Kingdom
(Director)
We Are the Flesh
(Co-Producer)
In Between Dying
(Co-Producer)
Aficionados
(Director)
Aficionados
(Writer)
Beginning
(Executive Producer)