Lého Galibert-Laîné (1992, France) is a researcher and filmmaker. They are currently finishing a PhD in the arts at the École normale supérieure de Paris. In addition, they teach theory classes and artistic workshops on film and media at several institutions across Europe, including the Royal Academy of Art in The Hague and Johannes Gutenberg University. Their work mainly explores the intersection between cinema and online media. Galibert-Laîné has directed several award-winning short films and stage productions, and their video essays on film and media are regularly screened in academic contexts and at film festivals. They often work together with filmmaker and media artist Kevin B. Lee; they have presented their collaborative works at IFFR, True/False Film Festival, Open City Documentary Film Festival, Camden International Film Festival and London Essay Film Festival as well as art venues such as the Ars Electronica Festival and the WRO Media Art Biennale.
Bottled Songs 1-4
(Producer)
Bottled Songs 1-4
(Sound Designer)
Bottled Songs 1-4
(Writer)
Bottled Songs 1-4
(Editor)
Bottled Songs 1-4
(Director of Photography)
Bottled Songs 1-4
(Production Design)
I Would Like to Rage
(Director)
Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
(Director)
Bottled Songs: The Observer
(Director)
Geomarkr
(Director)
Geomarkr
(Writer)
Geomarkr
(Editor)
The Eye Was in the Tomb and Stared at Daney
(Director)
The Eye Was in the Tomb and Stared at Daney
(Editor)
The Eye Was in the Tomb and Stared at Daney
(Writer)
Bottled Songs 3 & 4
(Director)
Reading Binging Benning
(Director)
Watching the Pain of Others
(Director)
Bottled Songs 1 & 2
(Director)
Bottled Songs: My Crush Was a Superstar
(Director)
Forensickness
(Director)
Watching the Pain of Others
(Editor)
Re-enacting the Future
(Director)
Re-enacting the Future
(Writer)
Bottled Songs 1-4
(Director)
Forensickness
(Producer)
The Burrow
(Director)
Flânerie 2.0
(Director)
A very long exposure time
(Director)
Dupieux / Haneke - an essay on metacinema
(Director)
Peeping Ruth
(Director)
The Human, The Machine, and Spike Jonze
(Director)
Why Framing Matters in Movies
(Director)