Critics describe Egon Günther as an avant-gardist of East German cinema, who was known for stylistically sophisticated films that could compete with international productions.
Her Third
(Director)
Her Third
(Screenplay)
Alaska - Foxes
(Screenplay)
Lotte in Weimar
(Director)
The Sorrows of Young Werther
(Director)
Die Braut
(Director)
Junge Frau von 1914
(Writer)
Rosamunde
(Director)
Ursula
(Director)
The Keys
(Director)
Stein
(Director)
Farewell
(Director)
When You’re Grown Up, Dear Adam
(Director)
Lot's Wife
(Director)
Junge Frau von 1914
(Director)
Hanna von acht bis acht
(Director)
Die Braut
(Writer)
Euch darf ich’s wohl gestehen
(Director)
When You’re Grown Up, Dear Adam
(Writer)
Else – Story of a Passionate Woman
(Director)
Stein
(Writer)
Ärzte
(Writer)
Anlauf
(Writer)
Anlauf
(Director)
Erziehung vor Verdun
(Director)
Erziehung vor Verdun
(Screenplay)
Weimar, du Wunderbare
(Director)
Weimar, du Wunderbare
(Writer)
Mamas Geburtstag
(Director)
Die letzte Rolle
(Director)
Lenz
(Director)
Lenz
(Writer)
Das 7. Jahr – Ansichten zur Lage der Nation
(Director)
Danny und Britta
(Director)
Danny und Britta
(Writer)
Bronnen – A Chaotic Life
(Director)
Bronnen – A Chaotic Life
(Writer)
Farewell
(Writer)
The Criminal on Vacation
(Writer)
Morenga
(Director)
Morenga
(Writer)
Das Kleid
(Writer)
Das Kleid
(Director)
The Keys
(Writer)
Jetzt und in der Stunde meines Todes
(Writer)
Lotte in Weimar
(Writer)
The Sorrows of Young Werther
(Writer)
Lot's Wife
(Writer)
Der Fremde
(Writer)
Exil
(Director)
Morenga
(Writer)
Morenga
(Director)