Jiří Barta
Working primarily during the 1980s, Jiří Barta flourished during communist rule in the former Czechoslovakia, as funding was easily accessed through government grants, allowing students to develop at their own pace and direction. Initially dabbling with cutout shorts, Barta later experimented with stop-motion and puppetry, and within seven years of his first short completed The Pied Piper of Hamelin, still considered a masterpiece of Czech animation.
Golem
(Director)
Golem
(Writer)
Toys in the Attic
(Director)
The Pied Piper
(Art Direction)
The Pied Piper
(Director)
Cartoon Noir
(Director)
A Ballad About Green Wood
(Director)
The Last Theft
(Director)
The Last Theft
(Animation)
The Last Theft
(Art Direction)
Club of the Laid Off
(Director)
Club of the Laid Off
(Writer)
The Vanished World of Gloves
(Director)
Disc Jockey
(Director)
Riddles for a Candy
(Director)
The Design
(Director)
The Design
(Writer)
A Ballad About Green Wood
(Screenplay)
A Ballad About Green Wood
(Story)
Disc Jockey
(Art Direction)
Disc Jockey
(Screenplay)
Cook, Mug, Cook!
(Producer)
Cook, Mug, Cook!
(Writer)
Cook, Mug, Cook!
(Director)
The Last Theft
(Writer)
The Vanished World of Gloves
(Screenplay)
Jiří Barta: Labyrinth of Darkness
(Director)
Animated Self-Portraits
(Writer)
Animated Self-Portraits
(Director)
Yuki Onna
(Director)
Wolf's Hole
(Art Direction)
Yuki Onna
(Storyboard Artist)
Toys in the Attic
(Production Design)
Toys in the Attic
(Art Direction)
Toys in the Attic
(Screenplay)