Jean-Daniel Pollet
Jean-Daniel Pollet (1936–2004) was a French film director and screenwriter who was most active in the 1960s and 1970s. He was associated with two approaches to filmmaking: comedies which blended burlesque and melancholic elements, and poetic films based on texts by writers such as the French poet Francis Ponge.
Love Is Gay, Love Is Sad
(Director)
Imagine Robinson Crusoe
(Director)
Six in Paris
(Director)
Méditerranée
(Director)
The Horla
(Director)
Bassae
(Director)
As Long as You Get Drunk...
(Director)
The Order
(Director)
Gala
(Director)
Dieu sait quoi
(Writer)
Dieu sait quoi
(Director)
At Père Lachaise
(Director)
The Acrobat
(Producer)
The Acrobat
(Writer)
The Acrobat
(Director)
Those Facing Us
(Writer)
Those Facing Us
(Director)
Pour mémoire
(Director)
Pour mémoire
(Director of Photography)
Le Maître du temps
(Screenplay)
Le Maître du temps
(Director)
Three Days in Greece
(Writer)
Three Days in Greece
(Director)
As Long as You Get Drunk...
(Screenplay)
Gala
(Screenplay)
The Blood
(Director)
Line of Sight
(Director)
Line of Sight
(Writer)
A Bullet Through the Heart
(Writer)
A Bullet Through the Heart
(Director)
The Order
(Director of Photography)
The Order
(Sound)
The Order
(Editor)
Six in Paris
(Editor)
Line of Sight
(Editor)
Day After Day
(Writer)
Day After Day
(Director)
Day After Day
(Cinematography)
Six in Paris
(Writer)
Méditerranée
(Cinematography)
The Blood
(Writer)
The Blood
(Executive Producer)
Rue Saint-Denis
(Screenplay)
Rue Saint-Denis
(Director)
The Others
(Producer)
Les Morutiers
(Director)
L'Arbre et le Soleil
(Director)
Contre-courant
(Director)
Le Soleil et l'Ombre : Pour Nikos Kazantzaki
(Director)
César
(Director)
The Woman with a Hundred Faces
(Director)
The Horla
(Screenplay)
Strange Game
(Director)
Contretemps
(Director)
Love Is Gay, Love Is Sad
(Writer)