Eduardo Escorel
Eduardo Escorel de Morais (born 1945), most known as Eduardo Escorel, is a Brazilian film editor and director. He debuted as an editor on the Joaquim Pedro de Andrade's The Priest and the Girl (1965). With his first feature film, Lição de Amor, he won the Best Director Award at the 1976 Gramado Film Festival. He was also awarded Best Director for his second film, Ato de Violência, this time at the 1980 Brasília Film Festival. He won Best Editing Award for Guerra Conjugal and O Chamado de Deus at the 1974 and 2000 Brasília Film Festival respectively, and for Dois Perdidos numa Noite Suja at the 2002 Gramado Film Festival.
Glauber Rocha em Defesa do Cinema Brasileiro
(Self (archive footage))
Que Viva Glauber!
Depois do Transe
(Self)
Milagrez
(Self)
Dib
(Self)
Chico Antônio, o Herói com Caráter
Arne Sucksdorff: Uma Vida Documentando a Vida
(Self)
Twenty Years Later
(Himself)
Before and After S. Bernardo
(Self)
Na Ilha
(himself)
Um Documentário Brasileiro
(Self)
Lição de Amor
(Producer)
Act of Violence
(Writer)
The Conspirators
(Writer)
Conjugal Warfare
(Editor)
Act of Violence
(Director)
Lima Barreto: Trajetória
(Editor)
The Memory Thread
(Executive Producer)
Sonho Sem Fim
(Executive Producer)
The Priest and the Girl
(Editor)
Vocação do Poder
(Director)
Paulo Moura - Alma Brasileira
(Director)
Lição de Amor
(Director)
Tropical Paths
(Editor)
The Outsiders
(Sound)
Erotic Stories
(Director)
Sars-CoV-2: O Tempo da Pandemia
(Director)
Bethânia Bem de Perto: A Propósito de um Show
(Director)
Ulysses Cidadão
(Director)
Antonio das Mortes
(Editor)
Visão de Juazeiro
(Director)
Nelson Cavaquinho
(Editor)
Paulo Moura - Alma Brasileira
(Editor)
Paulo Moura - Alma Brasileira
(Writer)
O Arremate
(Director)
O Arremate
(Screenplay)
Jubileu
(Director)
Rondon - O sentimento da terra
(Director)
ABC of a Strike
(Thanks)
This Is Pelé
(Director)
Afterword: Images of the Unconscious
(Editor)
Entranced Earth
(Editor)
Face To Face
(Editor)
Bethânia Bem de Perto: A Propósito de um Show
(Editor)
Macunaima
(Editor)
Os Condenados
(Editor)
1930 - Tempo de Revolução
(Director)
32 – A Guerra Civil
(Director)
35 - O Assalto ao Poder
(Director)
A Cantoria
(Editor)
Cutting Heads
(Editor)
Deixa Que Eu Falo
(Director)
Os Imaginários
(Editor)
Villa-Lobos: A Life of Passion
(Editor)
Two Lost in a Dirty Night
(Editor)
In the Intense Now
(Editor)
Chico Antônio, o Herói com Caráter
(Director)
Antonio Candido, Final Notes
(Director)
Images of the Estado Novo 1937-45
(Director)
Images of the Estado Novo 1937-45
(Editor)
Lição de Amor
(Screenplay)
Antonio Candido, Final Notes
(Writer)
Antonio Candido, Final Notes
(Editor)
Descobrir: Os Criadores de Saci
(Thanks)
1968 - Um Ano Na Vida
(Director)
O Barão
(Director)
1968 - Um Ano Na Vida
(Writer)
Atos: A campanha pública de Lula
(Editor)
Primeira Página
(Director)
Joanna Francesa
(Editor)
Images of the Estado Novo 1937-45
(Writer)
The Blue Horse
(Director)
The Blue Horse
(Editor)
The Blue Horse
(Writer)
J.
(Director)
J.
(Editor)
J.
(Writer)
O Tempo e o Lugar
(Director)
O Tempo e o Lugar
(Writer)
O Tempo e o Lugar
(Producer)
O Tempo e o Lugar
(Editor)
Ulysses Cidadão
(Producer)
S. Bernardo
(Editor)
Casa de Farinha
(Editor)
Atos: A campanha pública de Lula
(Director)
Viva Cariri
(Assistant Director)
Behave
(Editorial Consultant)
Jornal do Sertão
(Editor)
O Engenho
(Editor)
Twenty Years Later
(Editor)
Achados e Perdidos
(Editor)
The Dare
(Sound Editor)
The Heirs
(Editor)
When Carnaval Comes
(Editor)
The Lion Has Seven Heads
(Editor)
A Fera na Selva
(Editor)
Deixa Que Eu Falo
(Editor)
Vocação do Poder
(Editor)
Santiago
(Editor)
O Chamado de Deus
(Editor)
Fé
(Editor)
Retrato Pintado
(Editor)
They Don't Wear Black Tie
(Editor)
Erotic Stories
(Editor)
Terra dos Índios
(Editor)
This Is Pelé
(Editor)
The Conspirators
(Editor)
O Doce Esporte do Sexo
(Editor)
The Brave Warrior
(Editor)
Maranhão 66
(Sound Designer)
The Edge of Democracy
(Editorial Consultant)
O Que Eu Vi, O Que Nós Veremos
(Director)
Bethânia Bem de Perto: A Propósito de um Show
(Producer)
Bethânia Bem de Perto: A Propósito de um Show
(Sound)
Bethânia Bem de Perto: A Propósito de um Show
(Cinematography)
O Que Eu Vi, O Que Nós Veremos
(Writer)
Babenco: Tell Me When I Die
(Editor)
1930 - Tempo de Revolução
(Writer)
32 – A Guerra Civil
(Writer)
35 - O Assalto ao Poder
(Writer)