Ozcar Burfitt

Ozcar grew up watching movies and became aware of directors such as James Cameron and Stanley Kubrick at an early age. These directors, among other significant filmmakers, paved the way for Ozcar's own path into the filmmaking world. He started making films at the age of 17 after having been hugely inspired and influenced by Robert Rodriguez and especially his first feature film, El Mariachi (1992). Ozcar has made over 20 short films and continues to make films and develop his ideas for future projects.

Crew

I Have Sinned

(Screenplay)

I Have Sinned

(Director of Photography)

I Have Sinned

(Director)

I Have Sinned

(Producer)

I Have Sinned

(Lighting Coordinator)

I Have Sinned

(Sound)

The Salesman

(Producer)

The Salesman

(Cinematography)

The Salesman

(Director of Photography)

The Salesman

(Editor)

Another Affair to Remember!

(Director of Photography)

Another Affair to Remember!

(Assistant Director)

Another Affair to Remember!

(Co-Producer)

Another Affair to Remember!

(Editor)

Another Affair to Remember!

(Co-Director)

Jerry

(Co-Director)

Jerry

(Editor)

Jerry

(Cinematography)

Jerry

(Director of Photography)

Yet Another Affair to Remember!

(Editor)

Yet Another Affair to Remember!

(Co-Producer)

Yet Another Affair to Remember!

(Director of Photography)

Yet Another Affair to Remember!

(Sound Editor)

Yet Another Affair to Remember!

(Sound)

Yet Another Affair to Remember!

(Cinematography)

Yet Another Affair to Remember!

(Co-Director)

Fifty Seconds

(Director)

Fifty Seconds

(Producer)

Fifty Seconds

(Director of Photography)

Fifty Seconds

(Cinematography)

Fifty Seconds

(Editor)

Sven-Erik the Comedian

(Director)

Sven-Erik the Comedian

(Idea)

Sven-Erik the Comedian

(Writer)

Sven-Erik the Comedian

(Cinematography)

Sven-Erik the Comedian

(Producer)

Sven-Erik the Comedian

(Editor)

Sven-Erik the Comedian

(Art Designer)

Sven-Erik's Second Act

(Director)

Sven-Erik's Second Act

(Screenplay)

Sven-Erik's Second Act

(Writer)

Sven-Erik's Second Act

(Cinematography)

Sven-Erik's Second Act

(Art Designer)

Sven-Erik's Second Act

(Producer)

Sven-Erik's Second Act

(Editor)

Jan Olsson's Record Store

(Director)

Jan Olsson's Record Store

(Writer)

Jan Olsson's Record Store

(Cinematography)

Jan Olsson's Record Store

(Editor)

Affairs to Remember! - Episode IV: Stray Roads

(Producer)

Shoot Me

(Director)

Shoot Me

(Producer)

Shoot Me

(Editor)

Shoot Me

(Story)

The Peak

(Director)

The Peak

(Producer)

The Peak

(Writer)

The Peak

(Editor)

The Peak

(Music)

The Peak

(Cinematography)

The Peak

(Story)

Affairs to Remember! - Episode IV: Stray Roads

(Editor)

Rock n' roll May Be Dead After All

(Director)

Rock n' roll May Be Dead After All

(Editor)

Rock n' roll May Be Dead After All

(Cinematography)

Rock n' roll May Be Dead After All

(Writer)

Contract or Throat?

(Director)

Contract or Throat?

(Story)

Contract or Throat?

(Editor)

Contract or Throat?

(Music)

Playback

(Director)

Playback

(Writer)

Playback

(Producer)

The Corner

(Director)

The Corner

(Writer)

The Corner

(Producer)

The Corner

(Editor)

Psycho Brother

(Director)

Psycho Brother

(Writer)

Psycho Brother

(Producer)

Psycho Brother

(Cinematography)

Psycho Brother

(Editor)

Rat

(Director)

Rat

(Producer)

Rat

(Editor)

Rat

(Cinematography)

Rat

(Story)

Rat

(Writer)

The Journalist, the Record Collector and the Caretaker

(Cinematography)

The Journalist, the Record Collector and the Caretaker

(Editor)

The Journalist, the Record Collector and the Caretaker

(Director)

The Journalist, the Record Collector and the Caretaker

(Screenplay)

The Message

(Director)

The Message

(Writer)

The Message

(Editor)

Kiss My Axe

(Director)

Kiss My Axe

(Writer)

Kiss My Axe

(Producer)

Kiss My Axe

(Cinematography)

Kiss My Axe

(Editor)

I Have Come to Get You

(Director)

I Have Come to Get You

(Producer)

I Have Come to Get You

(Writer)

I Have Come to Get You

(Editor)

I Have Come to Get You

(Cinematography)

I Have Come to Get You

(Sound)

I Have Come to Get You

(Music)