Joyce DiDonato
In all her endeavors, both on and off the stage, Joyce DiDonato engages audiences through her energy, imagination, and commitment to her art form. Through these qualities, and with a constantly questing spirit, she has nurtured the vocal, musical and dramatic talents that have taken her to the pinnacle of her profession as a performer. Equally, they serve her as an eloquent and formidable advocate for the transformative power of the arts as she takes music far beyond the world’s great stages – to educational institutions, refugee camps, and maximum-security prisons. “Music heals,” she has said, “and it can fire people up with purpose and courage to change the world.” The winner of multiple Grammys and the 2018 Olivier Award, Kansas-born Joyce DiDonato is, in the words of the New Yorker, “perhaps the most potent female singer of her generation”, her voice having been described by The Times as “nothing less than 24-carat gold”. For all its beauty and agility, its true impact lies in Joyce’s capacity to illuminate character and meaning through nuances of colour and phrasing and her unfailingly communicative way with the text.
Semiramide - Bayerische Staatsoper
(Semiramide)
The Metropolitan Opera: Dead Man Walking
(Sister Helen Prejean)
Don Giovanni
(Donna Elvira)
Bellini: I Capuleti e i Montecchi
(Romeo)
Cendrillon [The Metropolitan Opera]
(Cendrillon)
Händel - Der Film
(Francesca Cuzzoni)
The Enchanted Island, a Baroque pastiche
(Sycorax)
The Metropolitan Opera: The Hours
(Virginia Woolf)
The Barber of Seville
(Rosina)
Theodora
(Irene)
Cenerentola
(Angelina)
I Capuleti e i Montecchi
(Romeo)
Le comte Ory
(Isolier (breeches role))
Cendrillon
(Cendrillon / Lucette)
The Metropolitan Opera: Maria Stuarda
(Mary Stuart)
Rossini: La Donna del Lago
(Elena)
Rossini La Cenerentola
(Angelina)
Il Barbiere di Siviglia
(Rosina)
The Florence Foster Jenkins Story
(Florence Foster Jenkins)
Massenet: Cendrillon
(Lucette/Cendrillon)
Il Barbiere di Siviglia
The Metropolitan Opera: La Cenerentola
(Angelina)
The Metropolitan Opera: Don Giovanni
(Herself - Host)
Mister Rogers: It's You I Like
(Self)
New year's Eve Concert 2017: Berlin Philharmonic
(Herself)
Massenet: Werther
(Charlotte)
Hercules - Handel
Maria by Callas
(Self - Narrator / Voice of María Callas (voice))
In War and Peace - Harmony Through Music
Bach in Notre-Dame de Paris - Mass In B Minor
Bellini: Norma
(Adalgisa)
The Metropolitan Opera: Agrippina
(Agrippina)
Metropolitan Opera At Home Gala
(Self)
Berlioz: Les Troyens
(Dido)
Gounod: Faust
(Self - Host)
Verdi: Ernani
(Self - Host)
Berlioz: Les Troyens
(Self - Host)
Tchaikovsky: Iolanta / Bartók: Bluebeard's Castle
(Self - Host)
Gluck: Orfeo ed Euridice
(Self - Host)
Philip Glass: Akhnaten
(Self - Host)
Bizet: Carmen
(Self - Host)
Bellini: I Capuleti e i Montecchi
(Romeo)
The Berliner Philharmoniker’s New Year’s Eve Concert: 2017
(Mezzo-soprano)
Great Performances
(Margaret 'Meg' March)