Gordon Willis
From Wikipedia, the free encyclopedia Gordon Hugh Willis, Jr., ASC (May 28, 1931 – May 18, 2014) was an American cinematographer. He is best known for his work on Francis Ford Coppola's The Godfather series as well as Woody Allen's Annie Hall and Manhattan. Fellow cinematographer William Fraker called Willis's work a "milestone in visual storytelling", while one critic suggested that Willis "defined the cinematic look of the 1970s: sophisticated compositions in which bolts of light and black put the decade's moral ambiguities into stark relief". When the International Cinematographers Guild conducted a survey in 2003, they placed Willis among the ten most influential cinematographers in history.
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood
(Self)
Woody Allen: A Documentary
(Self)
Visions of Light
(Self)
'Klute' in New York
(Self)
To Woody Allen from Europe with Love
(Himself)
Telling the Truth About Lies: The Making of "All the President's Men"
(Self)
Film Noir: Bringing Darkness to Light
(Self)
Emulsional Rescue: Revealing 'The Godfather'
(Self)
An Amazing Time: A Conversation About End of the Road
(Self)
Fog City Mavericks
(Self)
The Godfather Part III
(Director of Photography)
The Godfather Part II
(Director of Photography)
Klute
(Director of Photography)
Annie Hall
(Director of Photography)
Manhattan
(Director of Photography)
All the President's Men
(Director of Photography)
The Money Pit
(Director of Photography)
The Purple Rose of Cairo
(Director of Photography)
The Devil's Own
(Director of Photography)
Malice
(Director of Photography)
Zelig
(Director of Photography)
Stardust Memories
(Director of Photography)
Presumed Innocent
(Director of Photography)
A Midsummer Night's Sex Comedy
(Director of Photography)
Broadway Danny Rose
(Director of Photography)
Windows
(Director)
The People Next Door
(Director of Photography)
The Godfather
(Director of Photography)
Interiors
(Director of Photography)
Bad Company
(Director of Photography)
The Parallax View
(Director of Photography)
The Paper Chase
(Director of Photography)
The Landlord
(Director of Photography)
The Pick-up Artist
(Director of Photography)
Comes a Horseman
(Director of Photography)
September 30, 1955
(Director of Photography)
Bright Lights, Big City
(Director of Photography)
The Lost Honor of Kathryn Beck
(Director of Photography)
Up the Sandbox
(Director of Photography)
Loving
(Director of Photography)
Windows
(Director of Photography)
Little Murders
(Director of Photography)
End of the Road
(Director of Photography)
Pennies from Heaven
(Director of Photography)
The Drowning Pool
(Director of Photography)
Perfect
(Director of Photography)
The Beatles at Shea Stadium
(Camera Operator)
The Godfather 1901–1959: The Complete Epic
(Director of Photography)
Mario Puzo's The Godfather: The Complete Novel for Television
(Cinematography)