Philippe de Broca (15 March 1933 – 26 November 2004) was a French movie director. He directed 30 full-length feature films, including the highly successful That Man from Rio (L'Homme de Rio), The Man from Acapulco (Le Magnifique) and On Guard (Le Bossu). His works include historical, romantic epics such as Chouans! and King of Hearts (Le Roi de cœur), as well as comedies with a charismatic, breezy hero ready to embark upon any adventure which comes his way, so long as it means escaping everyday modern life: Practice Makes Perfect (Le Cavaleur), The Devil by the Tail (Le Diable par la queue), The African (L'Africain). He had links with the actor Jean-Paul Belmondo, with whom he made six films, as well as with Jean-Pierre Cassel, Philippe Noiret and Jean Rochefort. Philippe de Broca was born on 15 March 1933 in Paris, France. He was the son of a cinema set designer and the grandson of a well-known painter, Philippe de Broca. He studied at the Paris Photography and Cinematography School (école Vaugirard), graduating in 1953. He carried out his military service with the service cinématographique des armées (army film service) in Germany and then in Algeria, directing or acting as head cameraman on short films. Greatly affected by the war he witnessed, he vowed to show life in its best light in his future films “because laughter is the best defence against upsets in life”. After his discharge from the military, he set off on a journey taking in the length of Africa in Berliet trucks before returning to Paris. He began working as an intern with Henri Decoin, before finding assistant positions with Claude Chabrol: Bitter Reunion (Le Beau Serge), The Cousins (Les Cousins), Web of Passion (À Double Tour), François Truffaut: The 400 Blows (Les 400 Coups) and Pierre Schoendoerffer: Ramuntcho. In 1959, Claude Chabrol produced de Broca's first film for him, The Love Game (Les jeux de l’amour) with Jean-Pierre Cassel. De Broca went on to work with Cassel again in The Joker (Le Farceur, 1960), Five Day Lover (L’Amant de cinq jours, 1961), and Male Companion (Un Monsieur de Compagnie, 1964). De Broca's first commercial success came with Swords of Blood (Cartouche), filmed in 1962. This film also saw two more names become associated with de Broca: the actor Jean-Paul Belmondo and the producer Alexandre Mnouchkine. International acclaim came with That Man from Rio (L'Homme de Rio) in 1964, Up to His Ears (Les tribulations d'un Chinois en Chine) in 1965, The Man from Acapulco (Le Magnifique) in 1973 and Incorrigible (L'Incorrigible) in 1975. In 1966, he co-wrote, directed and produced King of Hearts (Le Roi de Cœur). This parody of the Great War, which some cinema-lovers consider his masterpiece, was a commercial and personal failure, to de Broca's dismay. Yet it eventually achieved genuine cult-film status during the mid 1970s when it was presented in repertory movie theaters as well as non-theatrical college and university film series across the United States, eventually running for five years at the now defunct film house, the Central Square Cinemas in Cambridge, Massachusetts. ... Source: Article "Philippe de Broca" from Wikipedia in English, licensed under CC-BY-SA 3.0.
The Magnificent One
(Second Plumber (uncredited))
Le beau Serge
(Jacques Rivette de la Chasuble)
The Little Misses
(Le timide)
Belmondo, il était une fois le beau monde
(Self (archive footage))
Droit de Réponse
(Self)
The Devil by the Tail
(Un passant suédois)
The Foreign Eye
(Self)
Les pieds nickelés
(le chauffeur de taxi)
Elle s'appelait Françoise
(Self)
The Love Game
(L'homme au cabaret Le Bateau Mouche)
The 400 Blows
(Man in Funfair (uncredited))
The Girls of La Rochelle
Le Cinema de Papa
(Jean Timent)
Breathless
(A Journalist (uncredited))
King of Hearts
(Adolf Hitler)
Cartouche
(L'homme qui crie 'les aristocrates à la lanterne')
People in Luck
(Le passant qui reçoit l'affiche (« Une nuit avec la vedette »))
Le Terminus des prétentieux
(Self (archive footage))
Spécial cinéma
(Self)
Le Grand Échiquier
(Self)
Les Rendez-vous du dimanche
(Self)
Champs-Elysées
(Self)
Cinépanorama
(Self)
Samedi soir
(Self)
That Man from Rio
(Director)
1001 Nights
(Writer)
1001 Nights
(Director)
That Man from Rio
(Writer)
Viper in the Fist
(Director)
Viper in the Fist
(Writer)
Cartouche
(Director)
Dear Inspector
(Director)
On Guard
(Director)
Incorrigible
(Director)
Jupiter's Thigh
(Director)
Up to His Ears
(Director)
People in Luck
(Director)
King of Hearts
(Director)
Les clés du Paradis
(Director)
The African
(Director)
The African
(Scenario Writer)
The African
(Writer)
Chouans!
(Director)
The Magnificent One
(Director)
The Magnificent One
(Writer)
Amazon
(Director)
Psy
(Director)
The Seven Deadly Sins
(Director)
The Skirt Chaser
(Director)
La Gourmandise
(Director)
The Gypsy
(Writer)
The Gypsy
(Director)
The Oldest Profession
(Director)
The Devil by the Tail
(Director)
The Joker
(Director)
Louisiana
(Director)
The Love Game
(Director)
Five Day Lover
(Director)
Incorrigible
(Writer)
Le Veilleur de nuit
(Director)
Dear Inspector
(Adaptation)
Un amour en kit
(Director)
Dear Louise
(Director)
Five Day Lover
(Screenplay)
The Skirt Chaser
(Writer)
Touch and Go
(Director)
Touch and Go
(Writer)
Give Her the Moon
(Director)
Give Her the Moon
(Writer)
Julie pot-de-colle
(Director)
Male Companion
(Director)
Amazon
(Writer)
The Love Game
(Screenplay)
The Joker
(Scenario Writer)
Male Companion
(Writer)
Madame Sans-Gêne
(Director)
Cartouche
(Writer)
Tales from the Zoo
(Director)
King of Hearts
(Producer)
On Guard
(Screenplay)
The 400 Blows
(Assistant Director)
Y aura pas école demain
(Director)
Les hommes et les femmes sont faits pour vivre heureux… mais pas ensemble
(Director)
Don't Play with Martians
(Co-Producer)
People in Luck
(Writer)
Chouans!
(Scenario Writer)
Les clés du Paradis
(Writer)