Erin Johnson
Erin Johnson’s short films and immersive installations interlace documentary, experimental, and narrative filmmaking devices to interrogate notions of collectivity, dissent, and queer identity. In her shape-shifting videos, site-specific performances by artists, biologists, and film extras address ongoing legacies of scientific research and nationalism. Johnson received an MFA and Certificate in New Media from UC Berkeley in 2013, attended Skowhegan School of Painting & Sculpture in 2019 and recently completed residencies at Pioneer Works (Brooklyn, NY), Jan van Eyck Academie (Maastricht, NL), Lower Manhattan Community Council (LMCC), Hidrante (San Juan, PR), and Lighthouse Works (Fishers Island, NY). She is Chair of the Department of Film and Video at the Maryland Institute College of Art. Her work has recently been exhibited or screened at MOCA Toronto (Toronto), Munchmuseet (Oslo), Times Square Arts (New York), deCordova Sculpture Park and Museum (Boston), Billytown (The Hague), and Telfair Museums (Savannah).
Cayo Santiago
(Director)
Cayo Santiago
(Editor)
To Sea
(Director)
Norman Lear: A Life on Television
(Executive Producer)
Lake
(Director)
Lake
(Producer)
Lake
(Editor)
Tomatoes
(Director)
Tomatoes
(Co-Producer)
Tomatoes
(Director of Photography)
There are things in this world that are yet to be named
(Producer)
There are things in this world that are yet to be named
(Director)
There are things in this world that are yet to be named
(Director of Photography)
There are things in this world that are yet to be named
(Editor)
Heavy Water
(Editor)
Salidas y Entradas | Exits and Entrances
(Director)
Heavy Water
(Director)
The Way Things Can Happen
(Director)
The Way Things Can Happen
(Editor)
Oranges
(Co-Producer)
Oranges
(Director)
To Be Sound is to Be Solid
(Producer)
To Be Sound is to Be Solid
(Writer)
To Be Sound is to Be Solid
(Director)
Come In
(Director)
If it Won’t Hold Water, it Surely Won’t Hold a Goat
(Director)
NCISverse: The First 1,000
(Executive Producer)