Matis Nasri
He saw Pulp Fiction twice and loves David Lynch, it can’t help but make great films.
Bull-Lie
(Director)
Bull-Lie
(Writer)
Le Braquage
(Director)
Le Braquage
(Writer)
Seul avec son ami
(Director)
Seul avec son ami
(Compositor)
Le Braquage
(Director of Photography)
Seul avec son ami
(Writer)
Seul avec son ami
(Director of Photography)
Où est Joe
(Writer)
Poquelin
(Director)
Où est Joe
(Director)
Chess game
(Writer)
Chess game
(Director of Photography)
Regards à la mod.
(Writer)
Bull-Lie
(Editor)
Où est Joe
(Editor)
Poquelin
(Director of Photography)
Regards à la mod.
(Director)
Chess game
(Director)
Regards à la mod.
(Editor)
Le Braquage
(Editor)
Seul avec son ami
(Editor)
Poquelin
(Editor)
Chess game
(Editor)
Où est Joe
(Director of Photography)
CARROT
(Director)
CARROT
(Writer)
DER FALSCHE WEG
(Writer)
DER FALSCHE WEG
(Director)
DER FALSCHE WEG
(Editor)
DER FALSCHE WEG
(Director of Photography)
The last temptation of a waltz
(Writer)
The last temptation of a waltz
(Director)
LA VAISSELLE
(Director)
Carrefour City
(Director)
LES ABAT-JOURS
(Director)
The Other's Promise
(Writer)
The Other's Promise
(Director)
The Other's Promise
(Director of Photography)
CARROT 2
(Director)
CARROT 2
(Writer)
CARROT 2
(Editor)
L'Homme triste.
(Writer)
L'Homme triste.
(Director)
TOAD-GIRL
(Electrician)