Sergio Amidei
From Wikipedia, the free encyclopedia. Sergio Amidei (30 October 1904 – 14 April 1981) was an Italian screenwriter and an important figure in Italy's neorealist movement. Amidei was born in Trieste. He worked with famed Italian directors such as Roberto Rossellini and Vittorio De Sica. He was nominated for four Academy Awards: in 1946 for Rome, Open City, in 1947 for Shoeshine, in 1949 for Paisà and in 1961 for Il generale della Rovere. He died in Rome. Description above from the Wikipedia article Sergio Amidei, licensed under CC-BY-SA, full list of contributors on Wikipedia
Rome, Open City
(Screenplay)
Rome, Open City
(Story)
Paisan
(Screenplay)
The Night of Varennes
(Writer)
Smoke Over London
(Screenplay)
Ghosts of Rome
(Idea)
Tales of Ordinary Madness
(Writer)
It's a Hard Life
(Screenplay)
An Average Little Man
(Screenplay)
The Witness
(Writer)
Three Girls from Rome
(Screenplay)
Three Girls from Rome
(Story)
Le signorine dello 04
(Idea)
Le signorine dello 04
(Story)
Le signorine dello 04
(Screenplay)
General Della Rovere
(Story)
General Della Rovere
(Screenplay)
Picasso
(Producer)
A Mink Coat
(Screenplay)
Under the Sun of Rome
(Screenplay)
Fear
(Writer)
Ipotesi sulla scomparsa di un fisico atomico
(Original Story)
Pietro Micca
(Writer)
Cose dell'altro mondo
(Screenplay)
Fatalità
(Screenplay)
Harlem
(Screenplay)
La notte delle beffe
(Screenplay)
Maigret at the Pigalle
(Storyboard)
Love on the Riviera
(Story)
Love on the Riviera
(Screenplay)
My Brother Anastasia
(Writer)
T'amerò sempre
(Screenplay)
Roaring Years
(Story)
The Verona Trial
(Story)
Be Sick… It's Free
(Screenplay)
Il presidente del Borgorosso Football Club
(Story)
Sunstroke
(Writer)
Smoke Over London
(Story)
Easy Years
(Screenplay)
Addio, amore!
(Screenplay)
Peccato di castità
(Screenplay)
Pardon, Are You for or Against?
(Screenplay)
Pardon, Are You for or Against?
(Story)
The Most Wonderful Moment
(Screenplay)
The Most Wonderful Moment
(Story)
The Most Wonderful Evening of My Life
(Writer)
Shoeshine
(Screenplay)
Shoeshine
(Story)
Battles in the Shadow
(Screenplay)
L'ultimo ballo
(Screenplay)
Why
(Screenplay)
Stromboli
(Screenplay)
Viva l'Italia!
(Story)
Viva l'Italia!
(Screenplay)
Paris Is Always Paris
(Screenplay)
Paris Is Always Paris
(Dialogue)
Paris Is Always Paris
(Story)
The Bigamist
(Screenplay)
High School
(Screenplay)
Paris Is Always Paris
(Delegated Producer)
The Bigamist
(Story)
Roman Tales
(Adaptation)
Roman Tales
(Screenplay)
Roman Tales
(Dialogue)
Paisan
(Dialogue)
Paisan
(Story)
Rome, Open City
(First Assistant Director)
Difficult Years
(Adaptation)
It Happened in the Park
(Idea)
Gioco pericoloso
(Screenplay)
Escape by Night
(Story)
Escape by Night
(Screenplay)
Copacabana Palace
(Story)
Picasso
(Writer)
Don Cesare of Bazan
(Screenplay)
Medicine Italian Style
(Story)
Medicine Italian Style
(Screenplay)
The Escape
(Screenplay)
A Very Handy Man
(Writer)
Cronaca nera
(Story)
Cronaca nera
(Screenplay)
Singapore, Singapore
(Writer)
Goya
(Producer)
Germany, Year Zero
(Writer)
Pact with the Devil
(Writer)
Il cappello da prete
(Screenplay)
Don Bosco
(Writer)
Il figlio del corsaro rosso
(Writer)
Gli ultimi filibustieri
(Writer)
Il presidente del Borgorosso Football Club
(Screenplay)
Difficult Years
(Screenplay)
Traversata nera
(Screenplay)
Daughters of Destiny
(Story)
A Dog’s Life
(Screenplay)
Sunday in August
(Story)
It Happened in the Park
(Story)
Chronicle of Poor Lovers
(Screenplay)
Sunday in August
(Producer)
The Machine That Kills Bad People
(Screenplay)