Werner Schroeter (7 April 1945 – 12 April 2010) was a German film director, screenwriter, and opera director known for his stylistic excess. Schroeter was cited by Rainer Werner Fassbinder as an influence both on his own work and on German cinema at large. Description above from the Wikipedia article Werner Schroeter, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Last Year
Alabama (2000 Light Years)
Mondo Lux: The Visual Worlds of Werner Schroeter
(Self)
The Ghost
(Bischof)
Meetings With Werner Schroeter
Rosas Welt – 70 neue Filme von Rosa von Praunheim
So lange ich fliehen noch kann, da schütze ich mich
Beware of a Holy Whore
(Deiters)
The Ministries of Art
(Self)
Vivre à Naples et Mourir (Entretien avec Werner Schroeter)
(Himself)
Sisters of Revolution
White Journey
Werner et Nenad
We Must Save Him! (interview with Werner Schroeter)
(Himself (voice))
Petite intrusion dans l’univers incandescent de Werner Schroeter
(Self)
Der Bomberpilot
Maria Callas singt 1957 Rezitativ und Arie der Elvira aus Ernani 1844 von Giuseppe Verdi
La morte d'Isotta
Paula – « Je reviens »
Eika Katappa
Daniel Schmid: Le Chat Qui Pense
(Self)
Verner
(Self)
Home Movie
Eine Hommage an Lautréamont
German Film Award
(Self)
Grimme Award
(Self)
3 nach 9
(Self)
World on a Wire
(Party Guest)
Zeil um Zehn
(Self)
Day of the Idiots
(Director)
This Night
(Director)
The Rose King
(Director)
Malina
(Director)
Army of Lovers or Revolt of the Perverts
(Cinematography)
Palermo or Wolfsburg
(Director)
The Kingdom of Naples
(Director)
Eika Katappa
(Director)
Dress Rehearsal
(Director)
Dress Rehearsal
(Screenplay)
Deux
(Director)
Deux
(Screenplay)
The Death of Maria Malibran
(Director)
The Death of Maria Malibran
(Screenplay)
Neurasia
(Director)
Der Bomberpilot
(Director)
Der Bomberpilot
(Screenplay)
White Journey
(Director)
White Journey
(Screenplay)
Gold Flakes
(Director)
Gold Flakes
(Screenplay)
Willow Springs
(Director)
Willow Springs
(Screenplay)
Argila
(Director)
Argila
(Screenplay)
The Laughing Star
(Director)
The Laughing Star
(Screenplay)
The Queen – Marianne Hoppe
(Screenplay)
The Queen – Marianne Hoppe
(Director)
Meetings With Werner Schroeter
(Director)
Aggression
(Director)
Aggression
(Writer)
Aggression
(Producer)
Aggression
(Cinematography)
Love’s Debris
(Director)
For Example, Argentina
(Director)
The Laughing Star
(Editor)
The Laughing Star
(Director of Photography)
Maria Callas Porträt
(Director)
Salome
(Screenplay)
Salome
(Director)
Macbeth
(Director)
Macbeth
(Writer)
The Black Angel
(Director)
The Black Angel
(Writer)
Joan's Dream
(Director)
Joan's Dream
(Writer)
Liebeskonzil
(Director)
Auf der Suche nach der Sonne
(Director)
Auf der Suche nach der Sonne
(Writer)
The Rose King
(Writer)
Grotesk – Burlesk – Pittoresk
(Editor)
Grotesk – Burlesk – Pittoresk
(Writer)
Grotesk – Burlesk – Pittoresk
(Director of Photography)
Grotesk – Burlesk – Pittoresk
(Director)
This Night
(Screenplay)
The Death of Maria Malibran
(Producer)
The Death of Maria Malibran
(Director of Photography)
The Death of Maria Malibran
(Editor)
Gold Flakes
(Director of Photography)
Gold Flakes
(Editor)
The Kingdom of Naples
(Writer)
The Kingdom of Naples
(Editor)
White Journey
(Sound)
White Journey
(Cinematography)
White Journey
(Editor)
Neurasia
(Producer)
Neurasia
(Cinematography)
Neurasia
(Editor)
Willow Springs
(Producer)
Willow Springs
(Director of Photography)
Willow Springs
(Sound Designer)
Willow Springs
(Editor)
Der Bomberpilot
(Director of Photography)
Der Bomberpilot
(Editor)
Himmel hoch
(Director)
Himmel hoch
(Writer)
Himmel hoch
(Editor)
Himmel hoch
(Producer)
Himmel hoch
(Cinematography)
Callas Walking Lucia
(Director)
Callas Walking Lucia
(Writer)
Callas Walking Lucia
(Cinematography)
Callas Walking Lucia
(Editor)
Maria Callas Porträt
(Writer)
Maria Callas Porträt
(Editor)
Maria Callas Porträt
(Cinematography)
Maria Callas singt 1957 Rezitativ und Arie der Elvira aus Ernani 1844 von Giuseppe Verdi
(Director)
Maria Callas singt 1957 Rezitativ und Arie der Elvira aus Ernani 1844 von Giuseppe Verdi
(Writer)
Maria Callas singt 1957 Rezitativ und Arie der Elvira aus Ernani 1844 von Giuseppe Verdi
(Editor)
Maria Callas singt 1957 Rezitativ und Arie der Elvira aus Ernani 1844 von Giuseppe Verdi
(Cinematography)
Mona Lisa
(Director)
Mona Lisa
(Writer)
Mona Lisa
(Editor)
Mona Lisa
(Cinematography)
La morte d'Isotta
(Director)
La morte d'Isotta
(Writer)
La morte d'Isotta
(Editor)
La morte d'Isotta
(Cinematography)
Paula – « Je reviens »
(Director)
Paula – « Je reviens »
(Writer)
Paula – « Je reviens »
(Editor)
Paula – « Je reviens »
(Cinematography)
Joan's Dream
(Cinematography)
Argila
(Editor)
Argila
(Cinematography)
Carla
(Director)
Carla
(Writer)
Carla
(Cinematography)
Carla
(Editor)
Aggression
(Editor)
Callas – Text mit Doppelbeleuchtung
(Director)
Eika Katappa
(Writer)
Eika Katappa
(Editor)
Eika Katappa
(Cinematography)
Eika Katappa
(Producer)
The Black Angel
(Director of Photography)
The Black Angel
(Producer)
The Black Angel
(Editor)
For Example, Argentina
(Cinematography)
Gold Flakes
(Producer)
Palermo or Wolfsburg
(Writer)
Palermo or Wolfsburg
(Editor)
Verona
(Director)
Verona
(Cinematography)
Verner
(Director)
Home Movie
(Director)
Ica Vilander
(Director)
Carla Salomé
(Director)
Magdalena
(Director)
Day of the Idiots
(Screenplay)