Horatio Perry

Barrenness

(Man)

Barrenness

(Sheeted God)

Arbor

(The Man)

Russian Bear

(Narrator)

Good Cop, Bad Mime

(Bad Mime)

Money 4 The Hunter

(The Hunter)

A Formal Explanation of the Experience of Witnessing "blue"

Arbor

Money For Will

(Runner / Homeowner)

Clogged Lungs

(The Man)

El Cubano 2

(Mark Zuckerberg (voice))

Implicit Design

(Investor #2 (uncredited))

Barrenness

(Editor)

Barrenness

(Director)

Barrenness

(Writer)

Barrenness

(Cinematography)

Arbor

(Writer)

Arbor

(Director)

Arbor

(Editor)

Nixonitis

(Producer)

Speculo

(Writer)

Speculo

(Cinematography)

Good Cop, Bad Mime

(Director)

Intermediate Steps Between Falsehoods

(Director)

Intermediate Steps Between Falsehoods

(Cinematography)

Intermediate Steps Between Falsehoods

(Editor)

Burn Out Like a Dying Candle in the Cradle of my Arms

(Director)

Burn Out Like a Dying Candle in the Cradle of my Arms

(Cinematography)

Burn Out Like a Dying Candle in the Cradle of my Arms

(Editor)

Creation Through That Which Was Created

(Cinematography)

Creation Through That Which Was Created

(Director)

Hypermania

(Editor)

Hypermania

(Director)

Hypermania

(Cinematography)

Summer Eulogy

(Cinematography)

Summer Eulogy

(Director)

Summer Eulogy

(Editor)

A Number of Dying Instruments

(Director)

A Number of Dying Instruments

(Cinematography)

A Number of Dying Instruments

(Editor)

Money 4 The Hunter

(Director)

A Formal Explanation of the Experience of Witnessing "blue"

(Director)

A Formal Explanation of the Experience of Witnessing "blue"

(Cinematography)

A Formal Explanation of the Experience of Witnessing "blue"

(Editor)

A

(Director)

A

(Cinematography)

Abstractions of Light and Flowers into Atmospheres of Light

(Director)

Abstractions of Light and Flowers into Atmospheres of Light

(Cinematography)

Arbor

(Director)

Mourning Film for a Preemptive Loss

(Director)

Mourning Film for a Preemptive Loss

(Cinematography)

Animal Breathing

(Director)

Animal Breathing

(Cinematography)

Animal Breathing

(Editor)

Carnival Pit

(Director)

Carnival Pit

(Cinematography)

Kineticism

(Director)

Kineticism

(Editor)

Kineticism

(Cinematography)

Emeralds for Andrew

(Director)

Emeralds for Andrew

(Cinematography)

Emeralds for Andrew

(Editor)

Dogs I Love, People I Love

(Director)

Dogs I Love, People I Love

(Editor)

Falling Star

(Director)

Falling Star

(Writer)

Falling Star

(Cinematography)

Money For Will

(Assistant Director)

Money For Will

(Cinematography)

Money For Will

(Writer)

Moon Moss Wood Grain

(Director)

Amorist Saplings

(Director)

Amorist Saplings

(Editor)

Downy Ashes

(Director)

Downy Ashes

(Editor)

In Calibration

(Director)

In Calibration

(Cinematography)

In Calibration

(Editor)

Colors of a Womb (an archetypal flight)

(Director)

Colors of a Womb (an archetypal flight)

(Cinematography)

Colors of a Womb (an archetypal flight)

(Editor)

The Sound of Trees

(Director)

The Sound of Trees

(Cinematography)

The Sound of Trees

(Editor)

Profound Hen Movie

(Director)

Profound Hen Movie

(Cinematography)

The Philosopher

(Foley)

YOREBODY

(Director)

YOREBODY

(Cinematography)

YOREBODY

(Editor)

A Forest Film

(Executive Producer)

Landscape For Birds

(Director)

Landscape For Birds

(Cinematography)

Landscape For Birds

(Editor)

Solar Arabesque

(Director)

Solar Arabesque

(Cinematography)

Solar Arabesque

(Editor)

To All the Chimeras in the Trees

(Director)

To All the Chimeras in the Trees

(Editor)

To All the Chimeras in the Trees

(Cinematography)

The Creaking Star

(Director)

The Creaking Star

(Cinematography)

The Creaking Star

(Editor)

Clogged Lungs

(Director)

Clogged Lungs

(Editor)

Clogged Lungs

(Cinematography)

FACTORY/FRICTION/WELDING

(Director)

FACTORY/FRICTION/WELDING

(Cinematography)

FACTORY/FRICTION/WELDING

(Editor)

Implicit Design

(Director)

Implicit Design

(Editor)

Implicit Design

(Writer)

Implicit Design

(Sound)

Grasping's Sermon

(Director)

Grasping's Sermon

(Cinematography)

Grasping's Sermon

(Editor)

Coast Allusion

(Director)

Coast Allusion

(Editor)

Coast Allusion

(Cinematography)

Pieces/Places

(Director)

Pieces/Places

(Cinematography)

Pieces/Places

(Editor)

Evening's Ghosts

(Director)

Evening's Ghosts

(Editor)

Evening's Ghosts

(Cinematography)

Harmonic Dissonance

(Director)

Harmonic Dissonance

(Cinematography)

Harmonic Dissonance

(Editor)

Zenith Distance

(Director)

Zenith Distance

(Cinematography)

Zenith Distance

(Editor)

In the Opera House

(Director)

In the Opera House

(Cinematography)

In the Opera House

(Editor)

24fps Sunset Sketches

(Director)

24fps Sunset Sketches

(Cinematography)

24fps Sunset Sketches

(Editor)

There is No Still Lake

(Director)

There is No Still Lake

(Editor)

There is No Still Lake

(Cinematography)

Moonflash Dogfruit

(Director)

Moonflash Dogfruit

(Editor)

Moonflash Dogfruit

(Cinematography)

We, Who Saw the Weight of Things

(Director)

Conjunctions

(Director)

Conjunctions

(Cinematography)

Conjunctions

(Editor)

Light Vibe Pixie

(Producer)

Films For Freedom

(Director)

The Road to the Oxbow

(Director)

The Road to the Oxbow

(Cinematography)

The Road to the Oxbow

(Editor)