Oskar Sala was a German composer and, together with Friedrich Trautwein, the inventor and developer of the Trautonium, one of the first electronic musical instruments. As a soloist, he played compositions by Paul Hindemith and Harald Genzmer, among others, on the Trautonium.
Unter der Oberfläche
(Music)
74° westlich, 41° nördlich – New York
(Music)
Gesicht des Bahnhofs
(Music)
Das Märkische Viertel - Aussichten und Einblicke
(Original Music Composer)
Wohnen über der Autobahn
(Original Music Composer)
Winter - Unfallgefahren bei Eis und Schnee
(Original Music Composer)
Petrol - Carburant - Kraftstoff
(Music)
The Bridge
(Sound Effects Editor)
Druckgefäß Kahl
(Music)
Mit Licht schreiben - Photographein
(Music)
The Strangler of Blackmoor Castle
(Original Music Composer)
The Air My Enemy
(Music)
Poor Hansi
(Music)
The Last U-Boat
(Music)
Zündhölzer
(Music)
The Magic Tape
(Music)
The Death Ray of Dr. Mabuse
(Original Music Composer)
Glorious Times in the Spessart
(Effects Supervisor)
Oskar Sala: The Former Future of Sound
(Music)
Schöpfung ohne Ende
(Music)
Gletscher und ihre Ströme
(Music)
Snow White and Rose Red
(Compositor)
Kunst unserer Zeit I: Skulptur
(Original Music Composer)
Verlorene Freiheit
(Music)
Meilensteine aus der Chronik der Post
(Original Music Composer)