Andrea Crisanti

Andrea Crisanti (12 June 1936, in Rome – 7 May 2012) was an Italian production designer and art director. Crisanti studied art at the Academy of Fine Arts in Rome. He began his film career as assistant set designer to Mario Garbuglia by working on the set of The Great War (1959) with Mario Monicelli. His independent debut came with Maciste in Hell (1962) by Riccardo Freda. In 1970, Crisanti met Francesco Rosi, which proved crucial to the success of his career. He later worked on Cinema Paradiso (1988) and A Pure Formality (1994) by Giuseppe Tornatore, which won a David di Donatello Award. Sicily was one of his favourite places, and he recalled the pomp of the 17-century Bourbon period for the set of The Council of Egypt (2002) by Emidio Greco. Crisanti worked on Michelangelo Antonioni's Identification of a Woman (1982), Franzo Zeffirelli's Young Toscanini (1988), Gianni Amelio's The Stolen Children (1992), and Andrei Tarkovsky's Nostalghia (1983). He taught art at Rome's Experimental Cinematography Centre from 1995 until his death, and was president of A.S.C., the Set and Costume Designers Association. Source: Article "Andrea Crisanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Crew

Duck, You Sucker

(Art Direction)

Lucky Luciano

(Production Design)

Devil in the Flesh

(Production Design)

Mr. Robinson

(Production Design)

The Four Days of Naples

(Assistant Production Design)

The Face of Another

(Production Design)

Viper

(Production Design)

Yesterday, Today and Tomorrow

(Assistant Set Decoration)

Brutti di notte

(Production Design)

Four Times That Night

(Production Design)

Christ Stopped at Eboli

(Production Design)

Chronicle of a Death Foretold

(Production Design)

I due Crociati

(Production Design)

Many Wars Ago

(Production Design)

Talcum Powder

(Production Design)

The Persian Lamb Coat

(Production Design)

Loose Cannons

(Production Design)

Here We for Example...

(Production Design)

The Con Artists

(Production Design)

Più bello di così si muore

(Production Design)

Shoot Loud, Louder... I Don't Understand

(Assistant Production Design)

Three Brothers

(Production Design)

Chronicle of a Death Foretold

(Set Decoration)

The Palermo Connection

(Production Design)

The Palermo Connection

(Set Decoration)

Face Addict

(Production Design)

The Goodbye Kiss

(Production Design)

The Seven Cervi Brothers

(Production Design)

The Witch's Curse

(Art Direction)

Cinema Paradiso

(Production Design)

A Magnificent Haunting

(Production Design)

Three Tigers Against Three Tigers

(Production Design)

Leap Into the Void

(Production Design)

Moon Shadow

(Production Design)

Nostalgia

(Production Design)

Before It's Too Early

(Production Design)

The Truce

(Production Design)

The Emperor's New Clothes

(Production Design)

Identification of a Woman

(Production Design)

No Thanks, Coffee Makes Me Nervous

(Production Design)

Il consiglio d'Egitto

(Production Design)

Illustrious Corpses

(Production Design)

Blood of the Losers

(Production Design)

A Pure Formality

(Production Design)

Excellent Cadavers

(Production Design)

The Mattei Affair

(Production Design)

Everybody's Fine

(Production Design)

Miracoloni

(Production Design)

The Warning

(Art Direction)

Facing Windows

(Art Direction)

Swallows Never Die in Jerusalem

(Production Design)

The Countess of Castiglione

(Art Designer)

Non lasciamoci più

(Scenic Artist)