Agenore Incrocci
Agenore Incrocci (4 July 1919 – 15 November 2005), best known as Age, was an Italian screenwriter, considered one of the fathers of the commedia all'italiana as one of the two members of the duo Age & Scarpelli, together with Furio Scarpelli. Incrocci was born in Brescia, into a family including several actors, such as his sister Zoe, and spent his youth moving with them to numerous places of Italy. His first work in the cinema world was a dubber for Mario Monicelli's first movie, I ragazzi della Via Paal (1935). Subsequently, he worked for a radio, and in the meantime he started writing comic scripts. He also studied law, but without graduating. He spent the first four years of World War II in France, as a prisoner of the French Army first and, later, of the Wehrmacht. He managed to escape, however, and fought for a year with the US Army. Back from the front, he worked again in the radio and for wrote for theatre and humour magazine. In wrote his first screenplay for I due orfanelli, directed by Mario Mattoli. In 1949 started his famous collaboration with Furio Scarpelli, as the duo Age & Scarpelli. Together with Scarpelli, he worked on a total of 120 Italian movies. These include some of the most famous of all, such as Sergio Leone's The Good, the Bad and the Ugly, Mario Monicelli's I soliti ignoti and many Totò movies. He also worked on some scripts on his own, such as that of Pietro Germi's Divorzio all'italiana. As an actor, he took part to La terrazza by Ettore Scola (screenplay by Age & Scarpelli, of course) and Ecce Bombo by Nanni Moretti. He died in Rome in 2005.
Casanova '70
(Screenplay)
Boom
(Screenplay)
I tre corsari
(Screenplay)
Big Deal on Madonna Street
(Story)
Big Deal on Madonna Street
(Screenplay)
The Passionate Thief
(Story)
The Passionate Thief
(Screenplay)
We All Loved Each Other So Much
(Screenplay)
The New Monsters
(Screenplay)
The New Monsters
(Story)
The Monsters
(Story)
Toto and Carolina
(Screenplay)
Fiasco in Milan
(Story)
Fiasco in Milan
(Screenplay)
Gli uomini, che mascalzoni!
(Screenplay)
Ghost Captain
(Screenplay)
I cadetti di Guascogna
(Screenplay)
The Best of Enemies
(Screenplay)
Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa?
(Screenplay)
We Want the Colonels
(Screenplay)
Taste of Life
(Screenplay)
House of Ricordi
(Screenplay)
A Drama of Jealousy (and other things)
(Screenplay)
Torture Me But Kill Me with Kisses
(Screenplay)
Mafioso
(Screenplay)
The Police Commissioner
(Story)
Le signorine dello 04
(Screenplay)
Le signorine dello 04
(Story)
Bravissimo
(Story)
Bravissimo
(Screenplay)
Everybody Go Home!
(Dialogue)
Everybody Go Home!
(Screenplay)
On the Tiger's Back
(Story)
On the Tiger's Back
(Dialogue)
The Monsters
(Screenplay)
We All Loved Each Other So Much
(Story)
Totò e Peppino divisi a Berlino
(Story)
Cinema of yesteryear
(Story)
Una bruna indiavolata!
(Story)
The Tiger and the Pussycat
(Story)
The Tiger and the Pussycat
(Screenplay)
The Police Commissioner
(Screenplay)
A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
(Screenplay)
Keep It To Yourself!
(Screenplay)
Caprice Italian Style
(Writer)
Goodnight, Ladies and Gentlemen
(Story)
Goodnight, Ladies and Gentlemen
(Screenplay)
Spaghetti House
(Screenplay)
Time of Vacation
(Screenplay)
Rome-Paris-Rome
(Story)
Rome-Paris-Rome
(Screenplay)
House of Ricordi
(Story)
The Terrace
(Story)
The Terrace
(Screenplay)
March's Child
(Screenplay)
Policarpo, ufficiale di scrittura
(Story)
Policarpo, ufficiale di scrittura
(Screenplay)
Complexes
(Story)
Il segreto delle tre punte
(Story)
Il segreto delle tre punte
(Screenplay)
Everybody Go Home!
(Story)
Casta diva
(Story)
Casta diva
(Screenplay)
First Love
(Story)
First Love
(Screenplay)
Il tassinaro
(Story)
Cinema of yesteryear
(Screenplay)
Peccato di castità
(Screenplay)
Summer Frenzy
(Screenplay)
Il conte Max
(Screenplay)
Totò cerca casa
(Screenplay)
Totò cerca moglie
(Screenplay)
On the Tiger's Back
(Screenplay)
L'Incantevole nemica
(Story)
The Good, the Bad and the Ugly
(Screenplay)
Brancaleone at the Crusades
(Story)
We Want the Colonels
(Story)
Come Home and Meet My Wife
(Story)
Hurricane Rosie
(Story)
Hurricane Rosie
(Screenplay)
Hotel Room
(Story)
The Band of Honest Men
(Story)
The Band of Honest Men
(Screenplay)
Toto and the Women
(Story)
Toto and the Women
(Screenplay)
Spaghetti House
(Story)
Fathers and Sons
(Story)
Doctor and the Healer
(Screenplay)
The Great War
(Story)
The Great War
(Screenplay)
The Great War
(Dialogue)
The Organizer
(Screenplay)
Casanova '70
(Story)
For Love and Gold
(Screenplay)
For Love and Gold
(Story)
Big Deal on Madonna Street 20 Years Later
(Story)
I due orfanelli
(Story)
Totò cerca moglie
(Story)
Operation Snafu
(Story)
Operation Snafu
(Screenplay)
Neopolitans in Milan
(Story)
Neopolitans in Milan
(Screenplay)
The Witches
(Screenplay)
The Witches
(Story)
The Bigamist
(Screenplay)
Figaro qua... Figaro là
(Story)
Figaro qua... Figaro là
(Screenplay)
Tototarzan
(Screenplay)
Toto the Sheik
(Story)
47 Talking Corpses
(Screenplay)
Roman Tales
(Screenplay)
Roman Tales
(Dialogue)
Toto the Third Man
(Screenplay)
Sette ore di guai
(Screenplay)
The Anatomy of Love
(Story)
Ragazze da marito
(Story)
Position Wanted
(Screenplay)
I cadetti di Guascogna
(Story)
Ours are coming
(Screenplay)
Ours are coming
(Story)
Totò, Peppino e le fanatiche
(Story)
The Law Is the Law
(Screenplay)
Milano miliardaria
(Screenplay)
Milano miliardaria
(Story)
It Happened in the Park
(Screenplay)
Keep It To Yourself!
(Story)
Our Husbands
(Story)
Our Husbands
(Screenplay)
Fathers and Sons
(Screenplay)
Good King Dagobert
(Writer)
A cavallo della tigre
(Original Film Writer)
Without Family
(Story)
Without Family
(Screenplay)
Portrait of a Nude Woman
(Screenplay)
It Happened in Rome
(Story)
Greetings and sons!
(Story)
Greetings and sons!
(Screenplay)
Brancaleone at the Crusades
(Screenplay)
A Mink Coat
(Screenplay)
L'eroe sono io
(Story)
L'eroe sono io
(Screenplay)
Me, Me, Me... and the Others
(Screenplay)
High Infidelity
(Story)
High Infidelity
(Screenplay)
Ivan, il figlio del diavolo bianco
(Screenplay)
Saluti e baci
(Story)
Madman at War
(Writer)
That's How We Women Are
(Screenplay)
Vivere a sbafo
(Writer)
Il vedovo allegro
(Screenplay)
O.K. Nero
(Screenplay)
I due orfanelli
(Screenplay)
Big Deal on Madonna Street 20 Years Later
(Screenplay)
Hotel Room
(Screenplay)
The Sunday Woman
(Screenplay)
Come Home and Meet My Wife
(Screenplay)
Teresa the Thief
(Screenplay)
In the Name of the Italian People
(Screenplay)
In the Name of the Italian People
(Story)
The Teacher from Vigevano
(Screenplay)
The Organizer
(Story)
Totò, Peppino e le fanatiche
(Screenplay)
Saluti e baci
(Screenplay)
Totó in color
(Screenplay)
Toto the Sheik
(Screenplay)
The Spring of 2002 - Italy Protests, Italy Stops
(Director)
Seduced and Abandoned
(Screenplay)
March on Rome
(Story)
March on Rome
(Screenplay)
Ragazze da marito
(Screenplay)
Double Murder
(Screenplay)
It Happened in Rome
(Screenplay)
The Birds, the Bees and the Italians
(Screenplay)
Love and Larceny
(Story)
Torture Me But Kill Me with Kisses
(Story)
Il tassinaro
(Screenplay)
Doctor and the Healer
(Story)
Welcome to Collinwood
(Original Film Writer)