Furio Scarpelli

Furio Scarpelli (16 December 1919 – 28 April 2010), also called Scarpelli, was an Italian screenwriter, famous for his collaboration on numerous Commedia all'italiana films with Agenore Incrocci, forming the duo Age & Scarpelli. He was the son of journalist Filiberto Scarpelli. During his childhood he devoted himself to writing and drawing. During World War II, he started to work as an illustrator for satire magazines, together with Federico Fellini and Ettore Scola, and he met Agenore Incrocci, better known as "Age". Furio was born and died in Rome, Italy. In 1949, he started his famous collaboration with Age as the duo Age & Scarpelli, writing some of the first Totò successes until 1952. Together with Age, he worked on a total of 120 Italian movies. These include some of the most famous of all, such as Sergio Leone's The Good, the Bad and the Ugly and Mario Monicelli's I soliti ignoti. After closing his relationship with Age, he wrote several movies with Ettore Scola, and the first works of directors such as Francesca Archibugi and Paolo Virzì. His third Nomination to Oscar was for Il Postino: The Postman, written with his son Giacomo. He also taught at the Centro Sperimentale di Cinematografia. The film Tormenti (2011), adapted from his graphic novel, was released shortly after his death. Source: Article "Furio Scarpelli" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Crew

Casanova '70

(Screenplay)

I tre corsari

(Screenplay)

Big Deal on Madonna Street

(Screenplay)

Big Deal on Madonna Street

(Story)

Napoleon and Me

(Screenplay)

Ovosodo

(Screenplay)

My Dearest Son

(Story)

The Passionate Thief

(Screenplay)

The Passionate Thief

(Story)

The Family

(Screenplay)

The Family

(Story)

We All Loved Each Other So Much

(Screenplay)

The Voyage of Captain Fracassa

(Screenplay)

Totó in color

(Screenplay)

Toto the Sheik

(Screenplay)

The Monsters

(Story)

Totò, Peppino e le fanatiche

(Screenplay)

Cuori nella tormenta

(Screenplay)

Toto and Carolina

(Screenplay)

Gli uomini, che mascalzoni!

(Screenplay)

In the Name of the Italian People

(Screenplay)

Ghost Captain

(Screenplay)

I cadetti di Guascogna

(Screenplay)

The Best of Enemies

(Screenplay)

Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa?

(Screenplay)

We Want the Colonels

(Screenplay)

Porzûs

(Writer)

Torture Me But Kill Me with Kisses

(Screenplay)

A Drama of Jealousy (and other things)

(Screenplay)

House of Ricordi

(Screenplay)

Mafioso

(Screenplay)

The Police Commissioner

(Story)

Le signorine dello 04

(Story)

Bravissimo

(Story)

Le signorine dello 04

(Screenplay)

Everybody Go Home!

(Screenplay)

Everybody Go Home!

(Dialogue)

On the Tiger's Back

(Story)

On the Tiger's Back

(Dialogue)

The Monsters

(Screenplay)

We All Loved Each Other So Much

(Story)

Totò e Peppino divisi a Berlino

(Story)

Unfair Competition

(Screenplay)

Unfair Competition

(Story)

Cinema of yesteryear

(Story)

Una bruna indiavolata!

(Story)

The New Monsters

(Story)

The New Monsters

(Screenplay)

The Tiger and the Pussycat

(Story)

The Police Commissioner

(Screenplay)

Hotel Room

(Screenplay)

Keep It To Yourself!

(Screenplay)

Teresa the Thief

(Screenplay)

Bandits: Love and Liberty

(Writer)

Caprice Italian Style

(Writer)

The Postman

(Story)

Goodnight, Ladies and Gentlemen

(Screenplay)

Goodnight, Ladies and Gentlemen

(Story)

Spaghetti House

(Screenplay)

Time of Vacation

(Screenplay)

Bravissimo

(Screenplay)

Rome-Paris-Rome

(Screenplay)

Rome-Paris-Rome

(Story)

House of Ricordi

(Story)

The Terrace

(Story)

The Terrace

(Screenplay)

March's Child

(Screenplay)

Policarpo, ufficiale di scrittura

(Story)

Policarpo, ufficiale di scrittura

(Screenplay)

Complexes

(Story)

Il segreto delle tre punte

(Story)

Il segreto delle tre punte

(Screenplay)

Everybody Go Home!

(Story)

Casta diva

(Story)

Casta diva

(Screenplay)

First Love

(Story)

First Love

(Screenplay)

Where Are You Going on Holiday?

(Screenplay)

Cinema of yesteryear

(Screenplay)

Il tassinaro

(Story)

Peccato di castità

(Screenplay)

The Wicked

(Screenplay)

The Wicked

(Story)

Summer Frenzy

(Screenplay)

Totò cerca moglie

(Screenplay)

Totò cerca casa

(Screenplay)

On the Tiger's Back

(Screenplay)

The Tiger and the Pussycat

(Screenplay)

L'Incantevole nemica

(Story)

A Boy and a Girl

(Screenplay)

The Dinner

(Writer)

The Good, the Bad and the Ugly

(Screenplay)

Fiasco in Milan

(Screenplay)

Fiasco in Milan

(Story)

Brancaleone at the Crusades

(Story)

Altri uomini

(Screenplay)

We Want the Colonels

(Story)

Come Home and Meet My Wife

(Story)

Come Home and Meet My Wife

(Screenplay)

Hurricane Rosie

(Screenplay)

Hurricane Rosie

(Story)

Hotel Room

(Story)

The Band of Honest Men

(Story)

The Band of Honest Men

(Screenplay)

Toto and the Women

(Story)

Toto and the Women

(Screenplay)

Spaghetti House

(Story)

Fathers and Sons

(Story)

The Great War

(Screenplay)

The Great War

(Dialogue)

The Great War

(Story)

Doctor and the Healer

(Screenplay)

The Organizer

(Screenplay)

Casanova '70

(Story)

For Love and Gold

(Story)

For Love and Gold

(Screenplay)

Le Bal

(Writer)

Totò cerca moglie

(Story)

Operation Snafu

(Story)

Operation Snafu

(Screenplay)

Neopolitans in Milan

(Story)

Neopolitans in Milan

(Screenplay)

Totò le Mokò

(Screenplay)

Totò le Mokò

(Story)

The Witches

(Story)

The Witches

(Screenplay)

The Bigamist

(Screenplay)

Figaro qua... Figaro là

(Story)

Figaro qua... Figaro là

(Screenplay)

Tototarzan

(Screenplay)

Toto the Sheik

(Story)

Roman Tales

(Screenplay)

Roman Tales

(Dialogue)

47 Talking Corpses

(Screenplay)

Toto the Third Man

(Screenplay)

Sette ore di guai

(Screenplay)

Ragazze da marito

(Story)

The Anatomy of Love

(Story)

Position Wanted

(Screenplay)

I cadetti di Guascogna

(Story)

Ours are coming

(Screenplay)

Ours are coming

(Story)

Totò, Peppino e le fanatiche

(Story)

The Law Is the Law

(Screenplay)

Milano miliardaria

(Story)

Milano miliardaria

(Screenplay)

A Bookshop in Paris

(Original Story)

It Happened in the Park

(Screenplay)

Christine Cristina

(Screenplay)

Keep It To Yourself!

(Story)

Our Husbands

(Story)

Our Husbands

(Screenplay)

Fathers and Sons

(Screenplay)

A cavallo della tigre

(Original Film Writer)

Without Family

(Story)

Without Family

(Screenplay)

In the Name of the Italian People

(Story)

Macaroni

(Screenplay)

Macaroni

(Story)

Un inverno freddo freddo

(Story)

Un inverno freddo freddo

(Screenplay)

Portrait of a Nude Woman

(Screenplay)

It Happened in Rome

(Story)

Greetings and sons!

(Screenplay)

Greetings and sons!

(Story)

Brancaleone at the Crusades

(Screenplay)

A Mink Coat

(Screenplay)

Baciami piccina

(Screenplay)

Tormenti - Film disegnato

(Screenplay)

L'eroe sono io

(Screenplay)

L'eroe sono io

(Story)

The Organizer

(Story)

Me, Me, Me... and the Others

(Screenplay)

High Infidelity

(Story)

High Infidelity

(Screenplay)

Time to Kill

(Screenplay)

Napoleon and Me

(Story)

Ivan, il figlio del diavolo bianco

(Screenplay)

Saluti e baci

(Story)

Saluti e baci

(Screenplay)

Madman at War

(Writer)

That's How We Women Are

(Screenplay)

Il vedovo allegro

(Screenplay)

Vivere a sbafo

(Writer)

Soldati - 365 all'alba

(Screenplay)

O.K. Nero

(Screenplay)

Ridere! Ridere! Ridere!

(Screenplay)

Habibi, amor mío

(Writer)

Seduced and Abandoned

(Screenplay)

Porzûs

(Story)

Porzûs

(Script)

Porzûs

(Screenplay)

Where Are You Going on Holiday?

(Story)

March on Rome

(Screenplay)

March on Rome

(Story)

Ragazze da marito

(Screenplay)

Double Murder

(Screenplay)

It Happened in Rome

(Screenplay)

The Sunday Woman

(Screenplay)

Love and Larceny

(Story)

The Birds, the Bees and the Italians

(Screenplay)

Torture Me But Kill Me with Kisses

(Dialogue)

Opopomoz

(Screenplay)

Il tassinaro

(Screenplay)

Il principe fusto

(Writer)

The Teacher from Vigevano

(Screenplay)

All in That Night

(Writer)

Celluloide

(Screenplay)

Celluloide

(Screenstory)

Doctor and the Healer

(Story)

Welcome to Collinwood

(Original Film Writer)

La buona battaglia – Don Pietro Pappagallo

(Screenstory)