Rafael Salvatore is an Italo-Venezuelan photographer whose work is closely tied to the history and visual memory of Venezuelan cinema, through his role as a still photographer. Born in Lavello, Italy in 1946, Salvatore moved between several countries during his early life—living in Italy, France, Sweden and Argentina—before eventually settling in Venezuela. In Venezuela, Salvatore became one of the most active and respected still photographers of the New Venezuelan Cinema, working on more than thirty feature films. He collaborated with key directors such as Jacobo Penzo, Solveig Hoogesteijn, Luis Alberto Lamata, Fina Torres, Carlos Azpúrua, Thaelman Urgelles and Mauricio Walerstein, among many others.,Beyond film sets, Salvatore also developed extensive documentary and exhibition work focused on Venezuelan culture, including Indigenous communities and popular traditions.
Los Platos del Diablo
(Still Photographer)
The Cumaná Devil
(Still Photographer)
El rey del bandolín
(Still Photographer)
El rey del bandolín
(Director of Photography)
Peasant Painter
(Still Photographer)
Peasant Painter
(Director of Photography)
Open Air
(Still Photographer)
Opposite Direction
(Still Photographer)
Bésame mucho
(Still Photographer)
La mujer ajena
(Still Photographer)
Luna Llena
(Still Photographer)
Shoot to kill
(Still Photographer)
En territorio extranjero
(Still Photographer)
Passionate Mobile
(Still Photographer)
Santera
(Still Photographer)
Coup at Daybreak
(Still Photographer)
Rizo
(Still Photographer)
American Ninja 5
(Still Photographer)
Les aventuriers du Rio Verde
(Still Photographer)